A Quote by Curtis Jackson

I feel a huge gratification out of being right. To see my projects connect in a way in which the audience is passionate is a huge compliment. For me it's like, if a person is ambitious enough, they run in a tunnel that doesn't end...And I learn things about myself all the time.
If we continue to show young girls that they are being compared to other girls, we’re doing ourselves a huge disservice as a society. I surround myself with smart, beautiful, passionate, driven, ambitious women. Other women who are killing it should motivate you, thrill you, challenge you and inspire you rather than threaten you and make you feel like you’re immediately being compared to them. The only thing I compare myself to is me, two years ago, or me one year ago.
The America that I think most Americans would want, most economists on the right or left would want, is one in which a smart, ambitious, hardworking person without a huge amount of resources has a pretty good shot, in the end, of beating out a less smart, less ambitious, less hardworking rich person.
It seemed like life was a sort of narrowing tunnel Right when you were born, the tunnel was huge. You could be anything,. Then, like, the absolute second after you were born, the tunnel narrowed down to about half that size....I figured on the day you died, the tunnel would be so narrow, you'd have squeezed yourself in with so many choices, that you just got squashed.
When I can do an acoustic set, I can sit down and sing. And then when I have a huge arena full of people, there's nothing like that. It's the coolest feeling in the world, but I also like to play small intimate shows because I feel you can connect a little more. And that's something I had to learn - how to connect to a big audience versus the small one.
It's a huge, huge pressure that so many people depend on you. The type of player I am and people look at me to come out and perform a certain way. Not being able to play on the biggest stage of the season, it's frustrating. One thing I wanted to do was not be frustrated about it and figure out what I can do to change and better myself on the court.
When you're in the head of the character, you feel less self-conscious. If I was just being me, I would feel so exposed and be like, 'Why is there a huge camera in my face?' But, when you're believing in the person that you're playing, you feel protected. It's about being true to that person you're playing.
If you listen to the talk shows, which are rabid right-wing, and very interesting, an important fact about the United States, they reach a huge audience. And they're very uniform. So right wing, I don't think you can even find an analog in your, but they reach a mass audience, and their view is that the corporations are liberal. Their appeal to the population is, "the country is run by liberals, they own the corporations, they run the government, they own the media, and they don't care about us ordinary people."
I remember when driving and traveling through Lapland, every road is surrounded by huge beautiful trees. Eight out of 10 times I would see a family of reindeer run beside the road or even through the highway holding up traffic. They're huge and unbelievable to see in person.
I'm not always the first person to run out and see something I'm in. I don't know; for me, that's not why I did it. I did it because I wanted to act. I don't really think about the end result. I don't feel like I have to see it - for me, it already happened.
You dream about the Olympics for so long and you have that one day, then it's over, and when you don't run well there is this huge letdown. It took me years to deal with that. I feel like I almost had to cleanse myself of that experience.
I find that it's not the numbers but the quality of the audience. That's why it got to be such a big thing when I left Microsoft, because I had an interested audience; not huge, but passionate. The passionate ones are the ones who change society.
Everyone may not go and buy a ticket to watch a movie, but everyone has a television at home. It definitely has a huge reach and a huge connect with the audience.
Our history is a passion for me. I feel that we leave out so much information and huge gaps in the American story and it makes it hard for people to really understand that we are all intricately related as Americans. So I am attracted to historically based projects because we entertain and learn something at the same time. I just love that combination.
I just don't want to be bored. That's the only criteria I have when I choose a role to play. I like it if the script is good and the director seems like he's gonna be good. But if I can find a variety of things to do, which I feel like I manage to do, as far as the actual performing goes and the character, that's huge for me. To be able to feel like I can do a fairly diverse array of things. I've been lucky in that way. I don't mind being stereotyped in some way and playing certain kinds of guys, but if I can find something to occasionally get a break from that, that would be nice.
The independent films are really where I kind of come from and where I feel comfortable. It's never been about the blockbusters and making a huge tonne of money. It's always been about wanting to do projects about the things that I think are important to be out there.
I never take on anything that is just for the money or just for, you know. I always have to connect with it in a very personal way because I believe the audience will sense whether I'm into it or not, so I don't take on projects that I'm not really passionate about.
This site uses cookies to ensure you get the best experience. More info...
Got it!