A Quote by Curtis Jackson

When I'm actually creating music, I try not to listen to the hip-hop records that are going on, because I think, subconsciously, we steal from each other. — © Curtis Jackson
When I'm actually creating music, I try not to listen to the hip-hop records that are going on, because I think, subconsciously, we steal from each other.
When I'm actually creating music, I try not to listen to the hip-hop records that are going on, because I think, subconsciously, we steal from each other. If you're listening to a record and it's really hot, then you'll be looking for something that feels like that, or that has a version of it.
This is the thing about hip-hop music and where people get it most misconstrued: It's all hip-hop. You can't say that just what I do is hip-hop, because hip-hop is all energies. James Brown can get on the track and mumble all day. But guess what? You felt his soul on those records.
Even though hip-hop started as a battle format, different artists appeared on each other's records or hung out in the same clubs, supporting each other. That was a profound influence. Also, hip-hop, to me, represents limitless possibility. Hip-hop is always evolving. People say, "Oh, it's a very commercial thing, it's too R&B." But in six months, a record is gonna come out that will completely change that.
In this time, we incorporate money and media, and it's split up like apartheid, where when you say "hip-hop," you think just rap records. People might have forgot about all the other elements in hip-hop. Now we're back out there again, trying to get people back to the fifth element, the knowledge. To know to respect the whole culture, especially to you radio stations that claim to be hip-hop and you're not, because if you was a hip-hop radio station, why do you just play one aspect of hip-hop and rap, which is gangsta rap?
A lot of rappers nowadays will say they don't listen to anybody, but I like to hear what's going on. I don't think it affects my music. I still do what I do. I just listen as a fan because I love hip-hop.
I was a hip-hop head. When I really found my own lane in music, it was hip-hop. I wanted to make hip-hop music. And I did, I made a lot of hip-hop music.
You have a lot of educating to do hip-hop wise in Europe. When you tour, when you go out there, most of the people that come see you at the venue listen to a lot of different kinds of music, not only hip-hop; they're not heads. From time to time you're going to do a little concert in front of three or four hundred people that are only hip-hop heads and they're going to understand and know all about the gimmicks and the swagger but the rest of the people are just regular European people that listen to pop [or] rock & roll.
I'm a hip-hop head, but hip-hop actually introduced me to other genres of music because I started to wonder where a lot of these samples came from. So I fell in love with Bobby Womack or Willie Hutch because I wanted to know where those samples came from.
Hip is to know, it's a form of intelligence. To be hip is to be update and relevant. Hop is a form of movement, you can't just observe a hop, you gotta hop up and do it. Hip and hop is more than music Hip is the Knowledge, hop is the Movement. Hip and Hop is Intelligent movement
My definition of hip hop is taking elements from many other spheres of music to make hip hop. Whether it be breakbeat, whether it be the groove and grunt of James Brown or the pickle-pop sounds of Kraftwerk or Yellow Magic Orchestra, hip hop is also part of what they call hip-house now, or trip hop, or even parts of drum n' bass.
From alternative to Brazilian to hip-hop to old R&B, that's what we listen to. And we don't just listen to it only if somebody plays it. We actually go out and buy these types of things and support different forms of music because we love them.
I think I can see people wanting to hear more music-music now as opposed to all hip-hop. You know, which I have nothing against hip-hop. I think some of it is really good. But on the other hand, some of the real great artists are just being lost because they're not getting the airplay or anything to make them inspired to record again.
I think that people have been claiming hip-hop as being dead since the moment it started. I think there are people - and I can be included in that category sometimes - that get frustrated feeling like maybe the industry has handcuffed itself, or trained its artists to do or think about music in a way that classically hasn't led to the greatest records in hip-hop.
I think hip hop is dead. It's all pop now. If you call it hip hop, then you need to stop. Hip hop was a movement. Hip hop was a culture. Hip hop was a way of life. It's all commercial now.
I was really raised on hip-hop, and hip-hop introduced me basically to all the music I listen to now.
Pitbull is great with brands. Endorsements with hip-hop artists work because hip-hop artists typically set the most trends... It's every brand's goal to be seen in the mainstream, and hip-hop music has become mainstream music.
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