A Quote by Curtis Sittenfeld

... nothing broke my heart like the slow death of a shared joke that had once seemed genuinely funny. — © Curtis Sittenfeld
... nothing broke my heart like the slow death of a shared joke that had once seemed genuinely funny.
It was almost funny. Life seemed downright accidental in its brevity, and death a punch line to a lousy joke.
We fell silent again. The thing we had shared was nothing more than a fragment of time that had died longe ago.Even so, a faint glimmer of that warm memory still claimed a part of my heart. And when death claim me, no doubt I would walk along by that faint light in the brief instant before being flung once again into the abyss of nothingness
Once, when I was young and true. Someone left me sad - Broke my brittle heart in two; And that is very bad. Love is for unlucky folk, Love is but a curse. Once there was a heart I broke; And that, I think, is worse.
"I've learned what's funny verbally ain't so funny on e-mail: They don't hear your intonations. Melissa broke up with somebody over that. She tried to tell him: "That was a joke!" But he just didn't get it. Mick Jagger said, "F- 'em if they don't get the joke." And I love him. That comes with age: Knowing it's their problem, not mine."
A joke is either funny or it's not funny. If I hear a funny joke, you know what I do? I laugh, that's what I do. I don't start a focus group to see who got hurt by the joke.
The heart dies a slow death, shedding each hope like leaves until one day there are none. No hopes. Nothing remains.
If I think something's funny, I try to mold it into a joke as soon as possible. Once I have a joke, I say it a million different ways on stage until I find a rhythm and it feels like it's as good as it can be.
I was broke until I was 40. Really broke. I could get by, but I had nothing. No health insurance, so if something happened I was screwed. I was lucky my parents had money and my brother was willing to support me for a long time. Once I started doing standup, I had an income, and that was amazing to me.
[Shaquille O'Neal ] walked in and said we were hiring him, so we said, "Yes sir!" Shaq is a genuinely funny guy. He's really funny in the movie. He's not just a stunt cast- he's a genuinely funny actor.
That's something - you laugh about Eminem... It's funny, man, because I didn't like him when he first came out, ya know. It seemed like a big joke. But I think the guy's for real, and I like his lyrics!
Any joke can be funny, but not any joke is funny. Any joke has the potential to be hilarious to you, but more importantly, the joke has the potential to not be funny to you but to someone else.
Once love had seemed like magic. Now it seemed like tricks.
I like ones that pertain to the music they make. Talking Heads does that somehow. More often than not band names are just a quirky joke that doesn't really stay funny for very long. It's like Homer Simpson's barbershop quartet, the Be Sharps. At first you're like, 'That's funny!' Then you're like, 'It's not that funny.'
It just broke my heart, and I had to get away from it. I love them to death, but they know how bad it got. It's not their fault, but I couldn't do that any longer.
I have become a giant fan of the testing process, especially with a comedy. I mean, they tell you what's funny. It's almost tailor-made for people who shoot the way we shoot, trying a million different options and versions of things. Because the audience doesn't laugh at a joke, we put in another joke. If they don't laugh at the next joke, we put in another joke. You just keep doing them and you can get the movie to the point where every joke is funny, if you have enough options in the can.
If a comedian tells a joke that you find funny, you laugh. If he tells a joke you do not find funny, don't laugh. Or you could possibly go as far as groaning or rolling your eyes. Then you wait for his next joke; if that's funny, then you laugh. If it's not, you don't laugh - or at very worst, you can leave quietly.
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