A Quote by Curtis Sittenfeld
Well, I think in my first two novels, both the characters are pretty neurotic, which I would say that I am.
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I wouldn't think of my characters' moralities at all. And I think I identify fully with every main character I've written about and would say that I am them pretty much. So in terms of that I don't think I'm similar to Bret Easton Ellis .
Well, the first two movies of any size that I did were a movie called 'Everybody's All American' that Taylor Hackford directed - I was pretty diva on that - and then 'Pretty Woman,' which is probably my first real breakthrough.
I'm afraid of making a mistake. I'm not totally neurotic, but I'm pretty neurotic about it. I'm as close to totally neurotic as you can get without being totally neurotic.
One of the things that's exciting for me about this novel is that, to me, Brookland and The Testament of Yves Gundron were both, in certain regards, crypto-steampunk. They're both books that are interested in an alternate technological past that in fact didn't historically come to pass. If you were to ask me what my novels were about, I would say, well, these are novels about technology and how we relate to technology and what technology means.
I'm trying to differentiate Geurin from Deokseon. At first glance, the two may seem similar because both are outgoing. But as a person who knows Deokseon pretty well, I am confident that I can eliminate her specter in Geurin's character.
I believe I am yet to dance my favorite role, but I am pretty open to adapting to different characters. I would love to be Odette in Swan Lake one day. I think that would be the ultimate role.
I sold my first short story while I was home on maternity leave, then began working on novels. Since I was reading and enjoying romance novels at the time, the first two unpublished manuscripts I wrote were both romances. I sold my third novel, 'Call After Midnight,' to Harlequin Intrigue after submitting it unagented.
I was a pretty sensitive kid and quite neurotic, filled with a lot of anxiety, which all would have been very familiar to my pop, you know? Except it was a part of himself he was trying to reject, so I got caught in the middle of it, I think.
I didn't like characters that were one- or two-dimensional. I liked a guy to have a lot of different levels to him and layers, and I think I pretty well succeeded with Thanos.
I always say I write my own novels and the characters don't take control of me, but in fact, I look at the characters in the early stages and I think, 'What is he or she like,' and they slowly come together and they become the person they are.
The world is full of novels in which characters simply say and do. There are certainly legitimate genres in which this is sufficient. But in real and lasting writing the character is.
I make it a kind of pious rule to go to every funeral to which I am invited, both as I wish to pay a proper respect to the dead, unless their characters have been bad, and as I would wish to have the funeral of my own near relations or of myself well attended.
I left my job as a feature writer on a newspaper to write a book, then sent it off to a number of agents thinking they would all reject me. Within a week, most had come back to say they loved what they had read, which then led to a bidding war for my first two novels.
I would say I'm pretty well at ease with my sexuality, but I'm an individual before I am a female.
My ability to bring different characters to life is what has helped me advance in my career, and I would say as far as looks are concerned, well, I suppose that would be the icing on the cake, but acting comes first and foremost.
People, when asked if they are Christians, give some of the strangest answers you ever heard. Some will say if you ask them: "Well - well - well, I, - I hope I am." Suppose a man should ask me if I am an American. Would I say: "Well, I - well, I - I hope I am?
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