A Quote by Cy Coleman

When I was four years old, my mother owned some tenements in the Bronx. — © Cy Coleman
When I was four years old, my mother owned some tenements in the Bronx.
What a difficult time that must have been for my mother, only twenty-four years old, grieving for her mother, giving birth to her own daughter.
I was born in the Bronx but my parents hated living in the Bronx so they moved to Oregon when I was 6 months old.
My mother said I was a star when I was about four years old. That's all I need.
My family is very musical, I was surrounded by it. And from four years old I was the one that asked my mother could I take piano lessons.
My fan base is really, really young. They're the youngest demographic that you can track on YouTube: 13- to 17-year-old females. But the fan mail that I get in my P.O. box, they're all from moms and from kids who are two years old, three years old, four years old.
You know, my family is very musical, I was surrounded by it. And from four years old I was the one that asked my mother could I take piano lessons.
I chose 'BronxWorks' because I'm from The Bronx, and I got raised in The Bronx, and I just know the struggle and how it is growing up in The Bronx.
When I was four years old, my mother put me into a school for early music education where you get perfect pitch and harmony and composition.
If we could magically transport ourselves back to the young Earth, when it was only a billion years old or two billion years old or three billion years old or four billion years old, we wouldn't be able to survive. We would have a hard time surviving if we were transported to the time when dinosaurs were around.
When I was nine years old, living on the south side of Chicago, my father was a minister and my mother used to scrub floors. I had seven brothers and four sisters. I told my mama, 'One of these days I'm going to be big and strong and buy you a beautiful house.' That's all I've ever wanted to do with my life, is to take care of my mother.
I would go through my mother's makeup kit, and I think she thought it was really cute. I was only three or four years old.
My dad was the manager at the 45,000-acre ranch, but he owned his own 1,200-acre ranch, and I owned four cattle that he gave to me when I graduated from grammar school, from the eighth grade. And those cows multiplied, and he kept track of them for years for me. And that was my herd.
Just take the negro child. Take the white child. The white child, although it has not committed any of the per - as a person has not committed any of the deeds that has produced the plight that the negro finds himself in, is he guiltless? The only way you can determine that is, take the negro child who's only four-years-old. Can he escape, though he's only four years old, can he escape the stigma of discrimination and segregation? He's only four-years-old.
My mother and I parting company at four years old is a recurring theme; although it's not symbolically necessarily present, it's present in all my relationships.
My mother Vivian Ayers always instilled within her children that our opinions, our thoughts and our ideas about what was possible was important. My mother made me feel that I was important as a thinker at four-years-old. And I instill that within my students everyday.
My childhood was kind of complicated. I have an older sister, but my father, my mother's husband, died when I was four years old. So I only had my mum and sister, really.
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