People sometimes think I take a white canvas and paint a black sign on it,but this is not true.I paint the white as well as the black and the white is just as important.
The thing I like most in my kitchen is my marble counters. Everybody said not to use marble because it's fragile, it stains, it cracks, and it doesn't remain beautiful. But I love marble.
If there's one thing white men have never had a problem with in this clubby, white marble enclave of Washington, it's getting pulled up the ladder by other men.
I've always loved black, and I realized that, from the beginning, man went into completely dark caves to paint. They painted with black too. They could have painted with white because there were white stones all over the ground, but no, they chose to paint with black in the dark.
By my definition, most art has nothing to do with oil paint or marble. Art is what we're doing when we do our best work.
There isn't any one material that's mine. It all depends on the context. For example, I did a house that had the most exquisite marble applications. That sounds ostentatious, but it wasn't, given the context. The color white I subscribe to extensively. I love thinking about color, but I often go with white.
My eye-balls are glass,
my limbs marble,
my face fixed
in its marble mask.
Painters paint outdoors, or in rooms full of people; they paint their lovers, alone, naked; they paint and eat; they paint and listen to the radio. It is a soothing way of doing your job.
Maid
of the luminous grey-eyes,
Mistress
of honey and marble implacable white thighs
and Goddess,
chaste daughter of Zeus.
Guido the plumber and Michelangelo obtained their marble from the same quarry, but what each saw in the marble made the difference between a nobleman's sink and a brilliant sculpture.
Every piece of marble has a statue in it waiting to be released by a person of sufficient skill to chip away the unnecessary parts. Just as the sculptor is to the marble, so is education to the soul. It releases it. For only educated people are free people. You cannot create a statue by smashing the marble with a hammer, and you cannot by the force of arms release the spirit or the soul of people.
New York has total depth in every area. Washington has only politics; after that, the second biggest thing is white marble.
I would say - and paint doesn't peel unless it's acrylic paint, so maybe it is acrylic paint that they're using, not oil paint. So let me say yes, it would be acrylic house paint, which, when it dries, peels very nicely. So let's go with that.
Driving a steamroller over an old trumpet or a teaspoon is no more destructive than taking a chisel to a lump of marble already torn from the landscape. But people don't see it that way because marble is considered noble.
We can be a little less organized in Stockholm; it's not really that serious. And on the White Marble tour in Europe - I don't think there's as much hardcore fans as in the U.S. In the U.S., it's like this whole celebrity culture.
Let me just say that, if you ever have the choice of putting your words in powerpoint or having them carved into 30-foot high marble, I'd say go for the marble.