A Quote by Cyd Charisse
Most dancers have a young body. This is part discipline and part desire, because just sitting around makes one feel sluggish.
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The hardest part of being a Christian is surrendering and that is where the real struggle happens. Once we have overcome our own desire to be elevated, our own desire to be recognized, our own desire to be independent and all those things that we value very much because we are Americans and we are part of this American culture. Once we have overcome that struggle then God can use us as a part of His body to accomplish what the body of Christ was left here to accomplish.
What Im trying to say is that what makes you up, its always been around, and it always will be around. So really the only thing you should worry about is the part you're at right now. Where you got a body and a head and all that bullshit. Just worry about living, dying is the easy part.
When you are part of a massive TV show like Strictly,' it's not just about the professional dancers and celebrities taking part, there could be young or old people out there who are watching and they might also be inspired to take up dancing, and I find that so special.
You really have to get out of an actor's head to write because actors only care about their part and it revolves around their part so "This is the important part because this is the part where..." .
I think singing comes most naturally for me. Because it's part of your body - it's a natural thing. You can practice all you want but it's part of your body.
Trying to find ideas is the hardest part of my job. You'd think it would be the most fun. Just sitting around reading whatever I want, going to cafes and libraries. But I always feel so unproductive. I think I was raised too well by my parents.
The other thing is, visibility is often not very good in fresh water. So if a fish bites something, a part of the body, it doesn't actually always realize that it's part of a body. It just sees something sort of waving around in front of it.
It's nice to wear a suit once in a while. It can restrict some body movement, but it makes me feel as though I'm part of society. I feel a sense of security because I've conformed to the standards of the rest of the world.
I got extremely fit and slim on 'Strictly,' but I did find that, each week, a different part of my body hurt. It really makes you realise the hard work dancers have to put in and how fit they have to be.
The old-timers taught me about psychology. Whatever body part, for instance, you decided to work on, well, you worked on. If you're working on someone's arm, you don't go to the head with headlocks. You don't go to the lower body. If you start with a body part, you stay with a body part.
This is part of what makes me, ahem, an excellent houseguest: I'm game. I'm flexible. I'll make you feel okay about eating an entire chocolate cake in one sitting because I'm right there by your side with my own fork.
When I naturally write a story and I feel that the guy is sitting across the table from the girl and flirting with her... I think, 'God, that can't be me' because I'm just too old for that part. You need a 30-year-old or a 35-year-old for that part. And so I've given myself less and less roles.
When you train as a dancer, you understand you have to work exceptionally hard. I think dancers are the hardest - working people in show business. You have to push your body beyond where you thought it could go. It's athleticism. Perfection doesn't exist, but with classical ballet, there is an ideal, and I got obsessed with that ideal. In some ways, it was problematic because I don't have an ideal ballet body, but the discipline is what I carry with me to this day. That's my park, the discipline of dancing.
I have been a fan of movies from a very young age, and somehow, the magic of that - every single time I hear something or read something that could be made into a wonderful film or something somebody is asking me to be a part of - that connects. It just makes me feel like I'm going to be part of something magical again.
I feel myself the inheritor of a great background of people. Just who, precisely, they were, I have never known. I might be part Negro, might be part Jew, part Muslim, part Irish. So I can't afford to be supercilious about any group of people because I may be that people.
What I took back, because of my exposure to the Jewish music of the 30s and the 40s in my upbringing with my father, was that kind of theatrical songwriting. It was always a part of my character. This desire to make people laugh...Songwriting is best. It's the hardest-finest-tightest. It also requires the most discipline.
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