A Quote by Cyd Charisse

The censors were always there when I was on the set. — © Cyd Charisse
The censors were always there when I was on the set.

Quote Topics

When you actually see it, it is quite strong, but there's nothing really pornographic about it. They are high-impact yet very short moments of sexuality, which makes it very confusing for the censors. If censors were merely human beings who watch a film ["Aquarius"] and come out with a conclusion about what they saw, then there wouldn't be a problem.
Cats, as a class, have never completely got over the snootiness caused by the fact that in ancient Egypt they were worshipped as gods. This makes them prone to set themselves up as critics and censors of the frail and erring human beings whose lot they share.
Censors will try to censor a little bit more each year (because, like editors and other officious people, censors don't feel they are getting anywhere unless they are up and doing).
Censors are dead men set up to judge between life and death. For no live, sunny man would be a censor, he'd just laugh.
I got a cable from New York saying that what I'd written about the growth of Soviet agricultural production didn't make sense because the same levels were reached under the czars. I wanted to confirm it, but by then the censors were on to me.
'A Death in the Gunj' is set in 1979 and we had to mute a joke that referred to Indira Gandhi. The censors also wouldn't allow the tortoise that some of the characters talk about to be called Kalidas because it's the name of a respected poet.
I wouldn't totally rule out doing Letterman or the Tonight Show if I had a set that I just happened to write that I thought was funny but was still appropriate for network censors. But I'm not going to go out of my way.
I wouldn't totally rule out doing Letterman or the Tonight Show if I had a set that I just happened to write that I thought was funny but was still appropriate for network censors. But I'm not going to go out of my way.
I was always around people who were in the business from the time I was an absolute baby. I grew up in New York City, and my parents, my sister, and I had a house on Fire Island, and they were part of a set of people that were all close and friendly, most of whom were involved in show business in one regard or another. So it was always familiar to me, and I kind of enjoyed it.
Underground literature only began in the '70s, when technical developments made it possible. Before that, we were involved in a game with the censors. That was our struggle.
The censors don't bother with fantasy books, especially old ones. They can't understand them. They think it's all kids' stuff. They'd die if they knew what The Chronicles of Narnia were really about.
We had such a wonderful set of circumstances in Wilmington. Yes, the four of us became famous literally overnight, but we were in a small town and we always knew when people were coming down. We always knew when to behave.
All the excitements of a prohibited book had their usual effect, one of which, as always, is to expose the fact that the censors don't know what they are talking about.
A lot of my movies were completely destroyed by the censors, who can be pretty arbitrary. They're not completely fair with how they treat one person vs. another.
If people will be censors, let them weigh their words. I mean that the words were unfair by that disproportionateness of the condemnation, which everybody with some conscience must feel to be one of the great difficulties in denouncing a particular person. Every unpleasant dog is only one of many, but we kick him because he comes in our way, and there is always some want of distributive justice in the kicking.
In many countries in the Middle East - and this is changing in the wake of the Arab Spring - but for a long time, censorship of books and film was a very big deal. There were books you couldn't buy; things with political content would be censored, but there were some genres of books and film that the censors just didn't understand.
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