A Quote by Cyd Charisse
I was in a ballet company, and I auditioned for Bob Alton, a top choreographer at MGM. He sent me to see Arthur Freed, who offered me a seven-year contract.
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I went to Indiana University for college for a couple of years where I double majored in dance and journalism, and after my sophomore year there, I went to the San Francisco Ballet school for the summer, but then they offered me a scholarship to stay for the year. That's where I danced after the year they offered me a contract with the company.
I auditioned for 'Mad Men.' I auditioned for 'Top of the Lake.' I obviously auditioned for 'West Wing,' so I still get excited when I get offered stuff. Like, a part of me thinks, 'They think I can do it! That's awesome!' And that's a part of me I have to squash; otherwise, I would do everything just because people gave it to me.
When I was in Middle of The Night, MGM came and offered me a contract and I said that when I got out of the play, I'd like to try it. I didn't know anything about making movies but I was certainly finding it interesting.
My first contract I was offered by the UFC, or my second contract, it was 1-and-1, 2-and-2, 3-and-3. That's $12,000 for the year. Don't complain to me about fighter pay. It was $12,000 for a year, and it was exclusive.
In those days, I auditioned for everything MGM made while I was under contract. Not for the roles Elizabeth Taylor eventually got, of course.
Dagenham offered me a two-year opportunity really. It wasn't a pro deal, just a chance to impress. I was sent out on loan straight away. I got a professional contract on the back of that and it wasn't until I started scoring in League Two that I actually realized, 'I'm professional footballer.'
In the 1940s, I was doing something called the Equity Library Theater in New York, when a movie company came to see the play I was in and offered me a contract. But the deal was, my nose was too big and they wanted me to have surgery. My jaw was crooked, and I'd have to have that fixed, too. And they didn't like my name; it was too common.
A casting director who'd cast me in 'Assassins' sent a video to Kevin Reynolds, the director, and Mel Gibson, whose company is producing '187.' Then I went in and auditioned, and a few hours later, they called me.
I remember vividly seeing 'Tarzan' and Fred Astaire, the Chaplin films, Fred Astaire musicals, MGM, because of my mother. She was just interested in everything and she took me to opera and ballet, and then ballet got me hooked.
I announced at the dinner table when I was 11 that I wanted to be a ballet dancer. But my goal changed to musical theater after the choreographer Robert Joffrey saw me perform while I was on scholarship at the San Francisco Ballet School.
I went to Indiana University for college for a couple of years, where I double majored in dance and journalism, and after my sophomore year there, I went to the San Francisco Ballet school for the summer, but then they offered me a scholarship to stay for the year.
NBC President Fred Silverman told me he would change my life, and proceeded to offer me a five to seven-year contract to replace Jane Pauley as co-host of 'The Today Show.'
I have lost my seven best friends, which is to say God has had mercy on me seven times without realizing it. He lent a friendship, took it from me, sent me another.
His four year contract renewal: As always, I remain hopeful that Don Cherry won't be offered the same length contract.
I just realized I wanted to do more than ballet. I was offered an apprenticeship, so I was about to join a company and drop out of high school, and then it hit me: I didn't want that anymore.
Don't get me wrong: 'America's Next Top Model' is fantastic. They've done 20 seasons, so they've obviously done something right. But I think what ensures that the winner of 'The Face' will become a working model is the prize - a year-long contract with a cosmetics company is huge.
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