A Quote by Cyd Charisse

Claude Rains is my favorite actor. He's so utterly polished and competent, no matter what he does. — © Cyd Charisse
Claude Rains is my favorite actor. He's so utterly polished and competent, no matter what he does.
Claude Rains was what we call an actor's actor. He was very involved with himself and his performance.
It was a struggle treating Claude Rains as my lover, but we were friendly. It was no great love affair.
My favorite weather pattern happens to be when it rains mud. Dust comes through. Rain on top of it. It rains mud.
What is competent? Who is it that can adjudicate what is competent or not competent? If the guys that are running the most important banks in our country aren't competent enough, well then, who is competent enough?
It would be a dream to do a film with Pedro Almodovar and that whole crew of Spaniards. There's this Argentinian actor who's one of my favorite actors in the whole wide world. His name is Ricardo Darin, and he's a brilliant actor. He does a lot of Argentinian films, and I know he does a lot of European films, as a Spanish actor.
As Claude LeLouche said, his favorite American director is Sergio Leone. Not because I would be American, but because I was dealing with subject matter that an American could have just as easily dealt with.
Five hundred words a day is what I aim for. And I don't go on to the next chapter until I've polished and polished and polished the one I'm working on.
I was very young, and I was on vacation with my family, and there was a retrospective of old films, and one of them was 'The Phantom of the Opera' with Claude Rains that was in color. It was something very important for my career because I began to follow these stories that were morbid.
I feel whatever an actor does on screen is something the actor 'does,' and what the director can do is to tell, talk or instruct. So, all the credit for an actor's performance goes to the actor alone.
My favorite part of the whole filmmaking process is working with a fantastic cinematographer, a fantastic actor or actors, and then just creating emotions and stories. I get so excited by that. That's the part I'm utterly addicted to.
I was so mad at my agent. I had polished and polished and polished [the play], and he referred to it as a draft. I wrote him a bitter letter: How can you call this a draft? I don't do drafts! By now I've done 18, and its turning, in the rehearsal room, into a 19th.
If I could be really competent, that goes such a long way toward things, because the majority of things are not competent. If I can be competent, and have moments of originality, that's all I would ask for.
Students need to decide, 'All right, well, does the height matter? Does the side of it matter? Does the color of the valve matter? What matters here?' - such an underrepresented question in math curriculum.
Even the humblest Party member is expected to be competent, industrious, and even intelligent within narrow limits, but it is also necessary that he should be a credulous and ignorant fanatic whose prevailing moods are fear, hatred, adulation, and orgiastic triumph. In other words it is necessary that he should have the mentality appropriate to a state of war. It does not matter whether the war is actually happening, and, since no decisive victory is possible, it does not matter whether the war is going well or badly. All that is needed is that a state of war should exist.
Johnny Depp is really my favorite male actor. Ellen Page would be my favorite female actor. Both of them, just because of the diversity that Johnny plays in his roles and just the different characters that he morphs into, it's fantastic.
It didn’t rain for you, maybe, but it always rains for me. The sky shatters and rains shards of glass.
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