A Quote by Cyd Charisse

If I had to give up either acting or dancing, I'd choose to keep dancing. — © Cyd Charisse
If I had to give up either acting or dancing, I'd choose to keep dancing.
I'm so bad at dancing that I've actually been in two movies where the director of the film saw me dancing and thought it was so funny that in one movie they had me do it as the mental dancing of a real simple person. The other one was, like, to-be-laughed-at dancing. That's how bad my dancing is.
If I had to choose, it would be dancing. Dancing is my first passion and it's gotten me where I am today.
I become the stars and the moon. I become the lover and the beloved. I become the victor and the vanquished. I become the master and the slave. I become the singer and the song. I become the knower and the known. I keep on dancing then, it is the eternal dance or creation. The creator and creation merge into one wholeness of joy. I keep on dancing and dancing...and dancing. Until there is only...the dance.
There was a lot of dancing in '76, '78, in the '80s. A lot of dancing. The burn years. A lot of dancing. And for a while, working fit in with all that. 'Moonlighting' - that wasn't acting. It was people telling me 'Let's create a character who is you, so you can play him the way you are. The guy you are at night.' It was fun.
Seen from the point of view of the composer, the most nonsensical practice is that of casting people in musicals who are unable to sing. No one would cast a dancing part with someone who cannot dance sufficiently to come up to professional standards. The same is true of acting. But when it comes to singing, more often than not it is amateur night. . . . Either musicals should be written for specified performers in the first place, or they should be cast with people who are adequate to its dancing, acting and singing demands.
I was dancing on Broadway for many years. Then everyone was either getting injured or retiring, and I was dancing with younger dancers.
I'll always have acting. But then if I had to choose something else it'd probably be singing or dancing - if I had to. Or maybe, like, designer, like sketching designs.
Dancing was my sport when I was younger. So I chose that over everything. And then, I just had to keep going because it became a competitive thing. But I'm not trying to impress anyone anymore. Dancing is more like my art, now.
Very honest, I hope. God, I don't know. I hope I'm fun, I hope I am a good time. Spontaneous, surprising, affectionate? I hope, kind. Dancing a lot of dancing. I insist upon dancing. Anywhere. Anytime. The more dancing, the better
I know I always say my occupation is not dancing, but dancing is in my heart, dancing makes me feel good.
You have to decide when it is time to move on. I was dancing on Broadway for many years. Then everyone was either getting injured or retiring and I was dancing with younger dancers.
When it comes to acting, you really have to create movement which in some ways is dancing. And dancing, I feel is very important to act as well. I wouldn't put one over the other.
My friends they were dancing here in the streets of Huntsville when our first satellite orbited the Earth. They were dancing again when the first Americans landed on the Moon. I'd like to ask you, don't hang up your dancing slippers.
I learned dancing because I loved dancing. It took away the pain, it took away everything, I was happy when I was dancing. I got a lot of respect when I was dancing: people respected my art, they didn't only respect my body.
I couldn't choose between all of those things! I looooove acting and dancing on Shake It Up, and I am currently in the recording studio working on my music. And one of my dreams is to walk down the runway during fashion week!
My brother became so enamored with that film [West Side Story], that he started taking tap-dancing lessons, and I followed him and started tap dancing, and my mother and father started tap dancing - I was in a class with my family, tap dancing!
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