A Quote by Cyd Charisse
I'm a dancer and when I walk off stage there isn't a dry spot on me. This means my hair has to be put up again between shows. I have to make up and dress all over again.
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My favourite thing about live shows is you can make up new songs on the spot. Never played before, never again. And that's wonderful for me, because it frees me up to not have to worry about lyrics and stuff.
They can fatten me up. They can give me a full body polish, dress me up, and make me beautiful again. They can design dream weapons that come to life in my hands, but they will never again brainwash me into the necessity of using them. I no longer feel allegiance to these monsters called human beings, despite being one myself.
Believe it or not, I loved my Jheri curl and thought it was beautiful on me. It actually made my hair grow like crazy. What they didn't tell you back then was that once you get the Jheri curl, there's no way of getting rid of it, so when I was over it, I ended up having to cut off all my hair and start all over again.
Fang’s hand gently smoothed my hair off my neck. My breath froze in my chest, and every sense seemed hyperalert. His hand stroked my hair again, so softly, and then trailed across my neck and shoulder and down my back, making me shiver. I looked up. “What the heck are you doing?” “Helping you change your mind,” he whispered, and then he leaned over, tilted my chin up, and kissed me.
Why put make-up on when you only have to take it off again?
The first time I kissed you, you had just cut off your hair with a plastic knife. You were in restraints and your lips were completely chapped and dry from the tranquilizers. The next day you tried to kill me with a torn-off piece of bedsheet. I've seen you at your worst. You hardly need to dress up for me.
For me, water means a lot of things. It's my belief that human beings are just like plants. They can't live without water or they'll dry up. Human beings, without love or other nourishment, also dry up. The more water you see in my movies, the more the characters need to fill a gap in their lives, to get hydrated again.
Who I am on stage is very, very different to who I am in real life. But I don't see that having a sexy image when you are on stage means that you don't love God. No one knows what I'm really like from that. I like to walk around with bare feet and I don't like to comb my hair. I'm always so glammed up and so diva on stage and that's what they see. People don't understand that... No one knows my personal relationship with God and it's not up to me to prove that to anyone.
I need someone to fold the sheet, someone to take the other end of the sheet and walk towards me and fold once , then step back , fold and walk towards me again .We all need someone to fold the sheet.Someone to hitch on the coat at the neck .Someone to put on the kettle. Someone to dry up while I wash.
The talking shows allow me to come out of my cave and that's why those shows go on for so long. I hate walking off stage. Sometimes I walk off and I miss them as I'm walking off the stage. I wonder if they'll let me go another hour. That's why I do it: to communicate, to get points across.
Again and Again, however, we know the language of love, and the little churchyard with its lamenting names and the staggeringly secret abyss in which others find their end: again and again the two of us go out under the ancient trees, make our bed again and again between the flowers, face to face with the skies
[Preparing for award shows] gets insane. The dress, the hair, the makeup...I end up always picking the dress at the last second.
It comes up over and over and over again that a ten times increase in the weight-oriented density of batteries or the volume metric, the space-oriented density of batteries, would enable so many other moonshots that that's one that just constantly comes up over and over again, and we will start that moonshot if we can find a great idea.
After I left Yale, we were all doing these mad plays off - off Broadway. And I got back to that feeling I had from college, of everyone making up in front of one cracked mirror, which is what I loved - the scrappy theater idea. I think off-off Broadway healed me, made me an actor again, and I was in so many different crazy shows.
I'm reconnecting, I'm deepening, I'm opening, I'm releasing negativity and negative thoughts and all the limitations I carry around with me - again and again and again and again and again and again. And again! And that's the only thing that keeps me alive.
When I'm working on a picture, I get up at 6 o'clock in the morning, report to the sound stage for rehearsals at 8, then appear before the camera from 9 to 6. I dread going to lunch, because during that hour my muscles get cold and I have to warm them up again. Standing still is the most miserable thing a dancer has to do.
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