A Quote by Cyd Charisse

I was in so many Esther Williams pictures with Ricardo Montalban and I always was his girl no matter what the story. — © Cyd Charisse
I was in so many Esther Williams pictures with Ricardo Montalban and I always was his girl no matter what the story.
When I was seven, I wanted to be Esther Williams. I was drummed out of Brownies because I snuck off to the cinema to watch an Esther Williams festival - my greatest wish if I get to Hollywood is to meet her.
Ricardo Montalban is to improvisational acting what Mount Rushmore is to animation.
I regret that I do not have the dignity of Ricardo Montalban, the class of Dean Martin, or the humor of Bill Cosby. I do have the heart of a lion.
Which Esther Williams do you want to hear about?
I like sunny stories. You know, my favorite girls in the '50s were Debbie Reynolds, Doris Day, and Esther Williams.
For a girl, appearance can be a powerful form of oppression. No matter how intelligent a girl may be, no matter her many talents, these attributes are not easily discerned. Brains and talent will never stand up against a girl who is clearly physically attractive.
Esther Williams? Wet, she's a star. Dry, she ain't.
Because in both TV and film every story under the sun is being told, and so music shouldn't be restricted to have to follow, like, the John Williams template or something. I love John Williams, but that sound doesn't suit every story.
I got a phone call from George Miller [the director] asking me to play this role. We sat down and he showed me on his computer a documentary-type montage sequence of real penguins swimming, in an Esther Williams synchronized sort of way, and doing things I have never seen them do. Then he explained his vision of the film, asked me to read the script and to voice the character. I was cast a little bit later, and he let me do the singing as well!
My mother had found this album of all these old slides from the '50s of me as a kid and I said, 'We should have these made into pictures because the color's so beautiful.' There were pictures of me from 1955 as a little baby wearing all these elaborate outfits, and in these pictures was this amazing story of a gay man and his mother.
When I am in the process of conceiving a story, I make sure it can be told with words and pictures. The story has to be creative, original and interesting in both areas. Many stories get rejected because they feel derivative.
NBC has suspended Brian Williams for six months without pay. Williams said he's not worried because soon his veterans benefits will kick in.
On things she had to pack before leaving her home in advance of a forest fire, 1996. Childhood pictures and pictures of my life. Do you know how many pictures that is? Not just this life; I have pictures from 13,000 lives.
A story: A man fires a rifle for many years, and he goes to war. And afterward he turns the rifle in at the armory, and he believes he’s finished with the rifle. But no matter what else he might do with his hands, love a woman, build a house, change his son’s diaper; his hands remember the rifle.
He made his colours, built his stretchers, plastered his canvas, painted his pictures, carpentered his frames, and painted them. 'Too bad I can't buy my own pictures,' he murmured aloud. 'Then I'd be completely self-sufficient.'
That's what was so amazing about 'Mulan.' Here is this story with all Chinese characters, and yet so many people related to her character and loved the story. So I really think as long as you have a good story that relates to a lot of people, it doesn't matter what ethnicity it is.
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