A Quote by Cynthia Erivo

I discovered at the age of five that I could sing, and I realised people liked it. The sound that came out made people happy, so I kept doing it. — © Cynthia Erivo
I discovered at the age of five that I could sing, and I realised people liked it. The sound that came out made people happy, so I kept doing it.
As a child, all I knew was that people kept asking me to sing, and because I liked to please, I would sing. It wasn't until my dad told me that my singing made him happy that I began to think my voice might be good.
I went to jail at 17. While I was there, I discovered that I could write. Once I started making some songs, other inmates wanted to know a little bit more about what I was doing, and they asked me to rap for them. They really liked it, and I made it a goal to come out and try to make something out of the music.
This is the secret I kept from you, Bails, from myself too: I think I liked that Mom was gone, that she could be anybody, anywhere, doing anything. I liked that she was our invention, a woman living on the last page of the story with only what we imagined spread out before her. I liked that she was ours, alone.
We live in an age of music for people who don't like music. The record industry discovered some time ago that there aren't that many people who actually like music. For a lot of people, music's annoying, or at the very least they don't need it. They discovered if they could sell music to a lot of those people, they could sell a lot more records.
I've always played Vash [in the Sausage Party]. I played him at the table read. We probably did five or six table reads over the course of the first five years of trying to get it made and finally getting it made. I saw a lot of actors come and go, but I stuck around, so I guess they were happy with what I was doing. No one could play a lavash wrap like I could.
When 'Attachments' came out and people liked it, I'd have a warm feeling of having made a connection.
When I realized that people actually wrote comics, that it was a job people could do, I thought, 'Gee, these things are only 17 pages long! I could probably finish one of those and find out whether I suck before I've spent five years of my life on it.' In stumbling into comics that way, I discovered that I loved the form.
I could stand out front and sing Eagles songs that I sing in my set, but I think people enjoy watching me sing and play the drums. It seems to fascinate people. I don't know why.
When I was about twenty-five years of age, Professor Sims informed me that I could sing, but added, 'I would like to be at least forty miles away while you are doing it.'
I do remember, though, when I discovered the third! I was about five years old - it was a very pleasing sound. I remembered that if I hit one note, then skipped one and played the next, I could get this really good sound.
People sort of went crazy when 'BTWAM' came out. I'm happy a bunch of people read it. I'm happy it touched so many people. I'm less happy that it became an object for certain folks or was discussed that way. I'm less happy that journalists started scrolling through my kid's Instagram account.
I was doing one of my first plays at the Royal Court, and Matt LeBlanc came to see the play. He came backstage afterwards, and I couldn't speak. I kept trying to, but no words came out. I just kept thinking, 'That's Joey from 'Friends.' That's actual Joey from 'Friends!'' It was so embarrassing!
I think sometimes when people get older they start to limit themselves and think that if they wanted to start singing or they wanted to start playing guitar or if they wanted to, I don't know...become an archeologist - whatever it is, they think they just can't do it anymore because they've hit a certain age and I just think that's like putting yourself in jail. I realised a couple of years ago that the more that I did and made things and created things that I could love; it helped me to realise that I was actually loving myself and what came out of me.
Everyone is born a poet - a person discovering the way words sound and work, caring and delighting in words. I just kept on doing what everyone starts out doing. The real question is: Why did other people stop?
I came out with my five-piece group and opened at Billy Burke's Swing Oar. This was when Hollywood was really jumpin'. This was when Frankie Laine used to come in and ask if he could sing a number.
The people I believed in were people like William Lever, the great philanthropic industrialist - self-made men who realised anyone could achieve.
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