A Quote by Cynthia Erivo
I try to ignore the Tonys buzz as much as possible. It's wonderful to be thought of that way, but I have to kind of pretend it's not happening so I can keep focus. It's about the work I'm doing, and it's more than enough to come away knowing that people are changed when they leave the theater.
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We spoke to God about the children, and we were afraid to ask God for specific things. We thought that it might be too much. So we said to God 'Please give us a healthy child' and left it at that, not knowing that God is a generous God, but also has a sense of humor. And if you leave that much open for God, some wonderful jokes are going to come about.
I hate the word educational! I mean, 'Downton Abbey' is educational in that you come away from it knowing so much more about that period than when the show started, but you don't come away thinking it was educational.
I try not to read too much because what ends up happening is that you ignore the nice reviews and you just focus on the bad reviews. A negative lesson is learned seven times deeper than a positive reinforcement.
When people felt pain time and time again, they came to fear that pain above all other things. So they tried to ignore it, to forget it was happening, as a way of bearing it. And pretty soon, they would come to feel like they'd accomplished something just by doing that -- even though nothing had changed.
I just kind of keep doing what I'm doing, keep plugging away, kind of hide behind closed doors sometimes, which is nice, kind of the way I'd like to keep it.
I looked at theater, in the sense that theater is unmanipulated. If I want to pay more attention to one character on stage than another, I can. I think there's not enough theater in film and not enough film in theater, in a way.
I've always loved film more than theater, and film may be more closely related to making a record because you have that ability to go in and do your work and have no judgment around it, and feel honest. Then, much later, it's presented to people. But in theater, people come backstage after a performance and you're about to do the same play again the next night, and people say, "Well, I didn't really believe that emotion" or whatever. It's really hard for me, I like to be closed up and just do the work.
One of the things I really like about doing work online, and the thing I like about the work I'm doing now, is that I get to meet feminists all the time and I get to read new feminists every day on the blogosphere. And it's really that kind of diversity of thought that informs me more than anything else these days. It's just kind of learning something new all the time. And I kind of love that there's not really a feminist canon; or maybe there is, but it's being changed, that it's a constantly moving canon in the feminist blogosphere. I love that.
I've always done theater. I've never thought of myself as a comedic actress in any way. 'Anchorman' kind of cracked that open. When I got a small part in 'Anchorman,' I didn't know it was possible on camera to improvise. So I was like, 'What's happening?
I've always done theater. I've never thought of myself as a comedic actress in any way. 'Anchorman' kind of cracked that open. When I got a small part in 'Anchorman,' I didn't know it was possible on camera to improvise. So I was like, 'What's happening?'
I think people got in touch with me either knowing my work, or probably more frequently just knowing a plot or sort of buzz about something I did and sort of saying, "Get that guy that writes the crazy stuff in here."
Responsibility has to be shared between all the players. It's more about doing your job and working hard. I try not to focus on me. My focus is on the team. I just work hard to try and improve.
I try not to focus on what people say too much because there's nothing I can do about it. All I can do is focus on staying true to the style of music I write and sing because that is the only way it's going to come off as honest.
When I rehearse, it ends up doing more harm than good. I think I work a little bit better when it's right off the bat. Mostly, I try to wrap my head around a role as much as I can without rehearsing and then kind of make it as fresh as possible on the day.
I try to balance work and play. I'm really grateful that I can kind of have that philosophy, so I can try to get out of the city as much as possible, even though I love the city and I'm not ready to leave it.
Sometimes there's too much noise about what's happening, but this is Barcelona - it is a big club. Sometimes people make more of things than they have to. We need to try to close the team away from all that noise outside.
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