A Quote by Cynthia Erivo
I don't think it's different to be a black girl in England than it is to be a black girl from America. We all collectively share in a pain of displacement and not feeling like we quite belong in places.
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I've always been 'other' in all the spaces that I've been in. Even when I first moved to America, just the idea that I was a dark-skinned black girl from England with an accent. It's one thing to be a black girl, but it's another to be a dark black girl. I was chastised for that. I was chastised for the way I spoke.
It's not lost on me to have the ability to be wearing custom Dior or Gucci, with my box braids or my bantu knots. It's another opportunity to show that Black girls belong in these places and that what I naturally bring as a Black girl belongs as well.
I would love 'Awkward Black Girl' to be on television, with the right team of people who understand and get it. If 'Awkward Black Girl' could make it to HBO starring a dark-skinned black girl, that would be revolutionary.
I think all races are represented in America much more than in many other places, but it's also nice to remind people about that ethnic mix. I would like to see more black models and women from different ethnic backgrounds, but I also think that when you are casting, you just choose the most beautiful girl you can find.
I read this book when I was young. It's about a black girl growing up in Heaven, Ohio. The cover has a black girl with clouds behind her. It was the first book cover I ever saw with a girl that looked like me.
Black Girl Magic is a radiant revolution against misogynoir - misogyny directed towards Black women and internalized hatred. Black women are subject to so many societal messages that tell them they are not beautiful, smart, or capable. Black Girl Magic is the conscious unraveling of those toxic concepts through self-love and acceptance. It preaches that despite the pressures I face, I glow more than ever before.
Obviously, I can't tell the story of what it is to be a black girl, but maybe I can tell something else. Girlhood is not about what it's like to be a black girl, it's about what it's like to be a girl.
We don't live in a world that nurtures and cares for Black girls like me. And if the world doesn't care about a Black girl like me, then what will happen to our Black babies who grow up to become Black children and Black adults?
Deep down inside, I'm really a black girl stuck in a Mexican girl's body. But I'm also in touch with my inner white girl and my inner Asian girl. I feel like a little bit of everybody.
No matter how cutting-edge Hollywood may seem, it is still delayed in how it views people: If producers do not perceive me as an Iranian girl, then I cannot play an Iranian girl. If you aren't perceived as a full black girl, then it makes it more difficult to play a black girl on TV.
I grew up hearing, 'You're pretty for a black girl,' 'You speak well for a black girl...' I was really bookish. I was reading all of the time. I had big glasses.
If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat. It is an unnecessary insult.
I think reading about black girls if you are a black girl is important. And for those who don't like to read, seeing yourself in a book can help them learn to love it.
So I was really excited when I came to America about meeting black people. But it was a huge culture shock, because I was rejected by the black community. They were like, 'You talk like a white girl.' People would call me an Oreo. All I wanted was acceptance.
I've been quite lucky in that the roles that I've been able to play are all kind of outsiders. And, you know, I belong to so many places and belong to none of them at the same time, so there's this sense of displacement - I very much understand what it is to not fit in or belong somewhere.
The black man in North America was economically sick and that was evident in one simple fact: as a consumer, he got less than his share, and as a producer gave least. The black American today shows us the perfect parasite image - the black tick under the delusion that he is progressing because he rides on the udder of the fat, three-stomached cow that is white America.
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