A Quote by Cynthia Kauffman
In Marxism there are some very unhelpful ideas about the need to push for a revolution that will overturn all of society. Marx gets that from Hegel, and it leads to some very bad politics, such as the hope that things must get worse because that will then turn into the antithesis and get better from there. A kind of wishful thinking then grows out of not seeing a realistic path forward.
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I released that I could crank out a song if I practiced it a lot. If I am in the practice of writing songs everyday or every other day, getting ideas and following through with them, and not just saying "I've got this idea, but I will get to it at some point." If I actually sit down and not be lazy, and follow through with it then you just get in the practice of doing things. It feels very productive, and then it gets a lot easier, because you are working the muscle in your brain. The "song-writing muscle" so to speak.
He's been a top player for the last 10 years, and we all work on our swings, we all change things. We keep working and then we're trying to get better, and sometimes you get worse trying to get better. You've just got to give it some time, be patient for it to turn around, and when it does turn around, you feel like you can start winning again.
Sure, I would have loved it, if we'd gotten 2,000 screens, but I never had that delusion. I was very realistic. I think it's a success, in that it turned out funny, I got everyone I wanted to be in it, and it will get seen. The hope is that it gets a little cult following. I think people will be surprised about who's in it and how funny it is. That's my hope.
Some people don't understand that but it's nice when it really just gets to the point then that it [music] doesn't get played so much that you're overdoing a lot of things; that it's fresh ideas. And they come out fresh and if you're already in the mode, I guess, to simplify some things so that it comes across better on record, it's the right time to be tasteful with somethin'.
The creation of a film starts with an idea, a notion of a time period or characters, and you get really excited about the idea, and sell it to others if you need their support to write the script. You can't wait to get started, and then you try to start, and you struggle with the blank page, and you get some ideas, and they're bad ideas, and you write bad stuff. It's really bad.
You get used to seeing certain things, and if you don't find a new way to talk about it, then frankly at some point you need to get out of the way.
If you do not take the distinction between good and bad very seriously, then it is easy to say that anything you find in this world is a part of God. But, of course, if you think some things really bad, and God really good, then you cannot talk like that. You must believe that God is separate from the world and that some of the things we see in it are contrary to His will.
I have always been a big advocate of tap water-not because I think it harmless but because the idea of purchasing water extracted from some remote watershed and then hauled halfway round the world bothers me. Drinking bottled water relieves people of their concern about ecological threats to the river they live by or to the basins of groundwater they live over. It's the same kind of thinking that leads some to the complacent conclusion that if things on earth get bad enough, well, we'll just blast off to a space station somewhere else.
Adaptation is always the same process for me, which is some version of throwing the book at the wall and seeing what pages fall out. It is trying to imagine, remember the story, read it, put it down, and then write sort of an outline without the book in front of you with some hope that what you like about it will be filtered and distilled out through your memory and then that will be similar to what other people like about it.
There are many things in life that you feel you need such as television, magazines, teachers telling that you have to make money and be successful, but if you have some kind of hope, something to hold onto, then all this will no longer be important. If you can make your next day better than the previous one, then you will see what it really means something to you and not everything that people think you need for your life.
I have no ideals. I have no will that the world should be any better or worse or anything... Because I know that for every genius there exists a robbing murderer. There is nothing to do about that. The world is such that if you want to find the intensity within the genuine, you will at the same time find the criminals around the nearest corner. And if you eliminate that genetic quality in the human being, then everyone will become very inactive and very boring, but on the other hand we get rid of criminality.
Writin songs is like a mystery. The most difficult thing to do is have a good idea. If you have a decent idea, the songs are the easy part. Actually having something to say is the hard part. If you get an idea for a song, then it pulls you along. There are just some ideas that you get that are really hard to edit out; it's hard to stop thinking about some bad ideas. So you just finish it and you end up putting it on a record.
Hip-hop as a culture itself goes through stages. It grows - it's breathing, living. I've noticed that we usually start off conscious, then we wind up very highly sexual, and then we thug it out. Then things get a little funny again, with comedy and that kind of thing.
I will cross that bridge when it comes. I am not stupid. I am a very bright guy. I know that in the fighting game, you get people who get brain damage and do themselves long-term harm. I am into it in a big way, and I am good at it, and I am going to get very, very rich and then I will get out and we will see what comes after that.
I'm very detail-oriented, which is good and bad. Because I will wake up in the middle of the night thinking about something or seeing a mistake, thinking about it, and I immediately send an email - I'm very focused on details.
"There's got to be more to life than just living," Foyle said to the robot. "Then find it for yourself, sir. Don't ask the world to stop moving because you have doubts." "Why can't we all move forward together?" "Because you're all different. You're not lemmings. Some must lead, and hope that the rest will follow." "Who leads?" "The men who must... driven men, compelled men." "Freak men." "You're all freaks, sir. But you always have been freaks. Life is a freak. That's its hope and glory."
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