A Quote by Cynthia McKinney
Images of burning Red Cross and UN buildings struck by US bombs contrasted with images of thousands of desperately poor Afghan women carrying sickly and starving children out of Afghanistan as they flee the might of the US military is tearing at international public confidence in our war against terrorism.
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The US military still blames the media for stories and images that turned the American public against the war in Vietnam.
If we try to resolve terrorism with military might and nothing else, then we will be no safer than we were before 9/11. If we truly want a legacy of peace for our children, we need to understand that this is a war that will ultimately be won with books, not with bombs.
We are carrying these images out into the world, and we can't control how people contextualize those images no matter how virtuous our aspirations and our intentions are.
I think that we can't deny the public's want for balancing out the images that are out there depicting women. Not all of us are 17 and a size two.
2017 is going to be another tough year for the valiant Afghan Security Forces and the international troops who have stood and will continue to stand shoulder to shoulder with Afghanistan against terrorism.
Cameras are simple tools designed to capture images. Images that tell us more about ourselves than we realize. They remind us of the long journey we’ve taken. The loved ones who traveled alongside of us. Those we lost along the way. And those waiting for us on the road ahead.
The pictures that were coming from Vietnam were showing us what was really happening on the ground level. It was in contradiction to what our political and military leaders were telling us. They were straight forward documentary images. A powerful indictment of the war, of how cruel and unjust it was. When I finally decided what to do with my life, it was to follow in that tradition.
A work of art contains its verification in itself: artificial, strained concepts do not withstand the test of being turned into images; they fall to pieces, turn out to be sickly and pale, convince no one. Works which draw on truth and present it to us in live and concentrated form grip us, compellingly involve us, and no one ever, not even ages hence, will come forth to refute them.
Evolutionary learning calls upon our creative potentials as it empowers us to envision images of the future and bring those images to life by design.
Having found the bomb we have used it. We have used it against those who attacked us without warning at Pearl Harbor, against those who have starved and beaten and executed American prisoners of war, against those who have abandoned all pretense of obeying international laws of warfare. We have used it in order to shorten the agony of war, in order to save the lives of thousands and thousands of young Americans.
Positive images of the future are a powerful and magnetic force... They draw us on and energize us, give us courage and will to take on important initiatives. Negative images of the future also have a magnetism. They pull the spirit downward in the path of despair.
Time is of the essence, particularly if we're sending images out on social media. The reality is that the majority of images are only viewed for a few seconds, often on a phone or computer. There are so many images freely available that it takes a lot of will power to concentrate and prolong the gaze on one picture at the expense of the thousands of others waiting to be viewed!
I feel like we're looked at as either completely nonsexual characters or overly sexual characters, and I feel like that affects how we're treated in the public space by men. I believe that women of color experience street harassment in a very hyper way. So I wanted to draw these women in their very normal, regular states and put those images out there in the public for people to see, instead of these other, very sexualized, images of women.
Operations in Iraq and Afghanistan and the war on terrorism have reduced the pace of military transformation and have revealed our lack of preparation for defensive and stability operations. This Administration has overextended our military.
We are organising our enemies into a formidable force, we are The US public has turned against the war, the Republicans and Democrats have turned against the war. And so when the American public turns against the war and the Congress turns against the war, it suggests that Americans feel we cannot win that war in those conditions. So the Iraqi Commission says, "Well, we can't win this war militarily, we need to reassess potential allies." There's Syria, there's Iran.
Ancient portraits are symbolic images without any immediate relation to the individuals represented; they are not portraits as we understand them. It is remarkable that philologists who are capable of carrying accuracy to the extremes in the case of words are as credulous as babies when it comes to "images," and yet an image is so full of information that ten thousands words would not add up to it.
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