A Quote by Cynthia Nixon
I think it was interesting to be steeped in that [political] world.
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There was an event called the World Transformed, which was set up by Momentum, and people from across the political spectrum have had to tip their hat to it. It's vibrant, with interesting discussions and ideas. That's why it's such an interesting political moment.
We want to do things that are interesting, great storytelling, some of it is gonna be more fun and funny, some of it is more serious and talking about interesting issues that we think are provocative and interesting to us. Kind of on a more political level. But, you know, just things that we find interesting that we think stories that need to be told.
Our points of reference in America aren't steeped in literature; they're steeped in that five minutes between commercials.
It's interesting that we assign the label 'political' to art that doesn't just fit a mould of status quo. Is 'Downton Abbey' not political? That's political! Every piece of art offers a perspective on the world. And what is politics if not a perspective on the world? 'Downton Abbey' is about class. It's also about race.
I think when people try to use their art for political views, I think they're art becomes smaller, less interesting. And so for me, as an artist, I'm trying to speak about things in a universal way and not be pedantic or small-minded and try to convince other people of my political views. But having said that, every day I live in sort of complete terror because of what I read in the newspaper and what is going on in the world. I'm constantly, as I think many of us are, overwhelmed by the sort of, mass psychosis that's occurring.
More people telling stories leads to more interesting perspectives in this world. I often think we wouldn't get to these political impasses if we had balance in storytelling.
By their subjugation of the press, the political powers in America have conferred on themselves the greatest of political blessings -- Gyges' ring of invisibility. And they have left the American people more deeply baffled by their own country's politics than any people on earth. Our public realm lies steeped in twilight, and we call that twilight news.'
It's interesting in this day and age to do a film about political espionage and wiretapping. I don't think that those types of secrets that J. Edgar Hoover was able to obtain and keep for such a long period of time would be possible in today's world, with the Internet and WikiLeaks.
I'm very political. Because I read politics every day, so I'm familiar with the world. I approach the films is I'm trying to write what is true, so that supersedes partisan spin, in my opinion. I find partisanship is a thing for cable news and newspaper articles, but it's not interesting for art. I think we all believe what we believe, and I don't think a film is going to change someone's mind.
Three Days of the Condor is still an interesting film to watch not because it's political. It happens to be political. But that's not why the sales of the DVDs are as high as they are. It's because it's an entertaining thriller. In my opinion, Tootsie is a very political movie but truck drivers can go and laugh at it.
I think you reveal yourself by what you choose to photograph, but I prefer photographs that tell more about the subject. There's nothing much interesting to tell about me; what's interesting is the person I'm photographing, and that's what I try to show. [...] I think each photographer has a point of view and a way of looking at the world... that has to do with your subject matter and how you choose to present it. What's interesting is letting people tell you about themselves in the picture.
Now I'm steeped in this world, I keep thinking going to the theatre every week is normal, but there's a whole world of people who don't go at all. I wrote 'Chewing Gum Dreams' for them - I'd love them to come.
Actors are steeped in a world of agents and where the next job is coming from and what are their expenses and what is the hotel like. You want to take them out of that world and dump them into another world, so that when you meet them on the screen they don't seem like the guy who was in two others movies that year.
What's interesting about fashion is it's a world, and I think that's what I've done - I've made a contribution and I think I've built a world. The world is beyond just clothes. Taste and style is beyond clothes. It's in food; it's in quality.
I think you have to ask yourself, what is the point of the script? What is the script selling? Because all scripts are political, every story is political. It either challenges or reinforces some schism or stereotype. So what is the project going to say at the end of the day? What does it tell you about the world, or what does it challenge in terms of your world?
I think tolerance is something everybody needs to be reminded of, especially in a reactionary political world. Well, actually, I should say, a reactionary political climate.
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