A Quote by Cynthia Nixon

There are a lot of myths about gay people. — © Cynthia Nixon
There are a lot of myths about gay people.
Those people are seen, I assume, by Larry [Kramer] as writing partly about gay issues and problems, whether it's on the surface or not, and I am not. But another thing is when we met, there still wasn't exactly a gay/straight divide in the minds of a lot of straight people. There weren't any gay people, as far as we knew, at Yale.
I actually feel sorry for people who have a lot of illusions in their head about what gay is. I mean, I know some gay people who are really wonderful people.
I can pass as a lot of things: people meet me and don't think I'm gay and speak about gay people in a certain way or they don't know I'm Middle Eastern and do the same.
I have discovered that if you take all the places of Greek myths, those specific locales turn out to be abundant fossil sites, but there is also a lot of natural knowledge embedded in those myths, showing that Greek perceptions about fossils were pretty amazing for prescientific people.
Our invisibility is the essence of our oppression. And until we eliminate that invisibility, people are going to be able to perpetuate the lies and myths about gay people.
Sometimes people think I'm gay. A lot of people have asked me if I'm gay. I answer, 'Look, not to my knowledge. But I'm still young, it could be that in the future, I'll find out that I'm gay.'
The more real things get, the more like myths they become. There have always been myths, but the myths of earlier times were, Im convinced, bad ones, because they made people sick. So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
You think you're in a place where you're all 'I'm thrilled to be gay, I have no issues about being gay anymore, I don't feel shame about being gay,' but you actually do. You're just not fully aware of it. I think I still felt scared about people knowing. I felt awkward around gay people; I felt guilty for not being myself.
My father tried to get me to be around gay people a lot when I was young. He owned a gay bookstore and it had a lot of gay literature and art books and he wanted me to be taken care of by the young gays and lesbians who worked for him.
It's not about superheroes. This is the method of universal storytelling that all people have... To me, they're the same as the Greek myths or the Roman myths or religious figures of every religion. These are common characters that we use to express stories about being a better person or what you would do when faced with various things.
For a while, the gay thing seemed like such a big deal. But now, I don't think it is. It's just a comedy-drama about people who live in the United States. It's a slice-of-life. I play a character-that's it. But I was well aware of the gay lifestyle before the show. I've been hit on in a really strong way by gay men who've tried to convert me, and a lot of my heroes are gay. William Burroughs, Lou Reed. Well, I guess Lou Reed is bi. The point is, it's 2002, gay life is no longer that shocking.
I was part of a show called 'Manifest Equality' in Los Angeles in 2010, and I realized there was a disconnect between people who are gay or have gay friends and are gay-friendly, and people who think they don't know any gay people.
I feel like Hollywood likes to use gay people to tell either really sad gay stories starring straight actors, or everything's about a struggle. Everything's about coming out. Nothing was about just living and breathing as a human being who happens to be gay.
We make up any excuse to preserve myths about people we love, but the reverse is also true; if we dislike an individual we adamantly resist changing our opinion, even when somebody offers proof of his decency, because it's vital to have myths about both the gods and devils in our lives.
As we were developing 'Umbral', and I was delving into the mythology and legends, I had a sudden realisation. 'Wasteland' is about people who fervently believe new myths and legends, but they turn out to be false; whereas 'Umbral' is about people who reject ancient myths and legends, but they turn out to be true!
I think of evolution as a myth, like the Norse myths, the Greek myths - anybody's myths. But it was created for a rational age.
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