A Quote by Cynthia Ozick
There's a paradox in rereading. You read the first time for rediscovery: an encounter with the confirming emotions. But you reread for discovery: you go to the known to figure out the workings of the unknown, the why of the familiar how.
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'As I Lay Dying,' I reread that often. That's the first work of Faulkner's that I read that so amazed me and that I responded to emotionally and viscerally. I admired it so much, and I think that's why I keep rereading it.
The mind, conditioned as it is by the past, always seeks to re-create what it knows and is familiar with. Even if it is painful, at least it is familiar. The mind always adheres to the known. The unknown is dangerous because it has no control over it. That's why the mind dislikes and ignores the present moment.
You know the known, so go a little into the unknown. The mind that is caught up in the known - extended a little beyond reason. The moment you go beyond , you move in the soul. Releasing the bondage of your mind to extend further, reach the unknown a little more. The further you go, you realize that the known is limited and the unknown is vast.
Evaluate. Long experience had taught me to evaluate and assess. When the unexpected gets dumped on you, don’t waste time. Don’t figure out how or why it happened. Don’t recriminate. Don’t figure out whose fault it is. Don’t work out how to avoid the same mistake next time. All of that you do later. If you survive.
After 20 years of writing academic prose and lectures, it seems very familiar and straightforward to me. Writing a novel for the first time, I was reminded of just how difficult it is to figure out how to get this stuff done when you don't really know what you're doing.
Faith, to be faith, must center around something that is not known. Faith, to be faith, must go beyond that for which there is confirming evidence. Faith, to be faith, must go into the unknown. Faith, to be faith, must walk to the edge of the light, and then a few steps into the darkness. If everything has to be known, if everything has to be explained, if everything has to be certified, then there is no need for faith. Indeed, there is no room for it.
Rediscovery in the library may be a more difficult and uncertain process than the first discovery in the laboratory.
Someone once said that middle age is like rereading a book that you haven't read since you were a callow youth. The first time around you were dazzled by impressions, emotions, and tended to miss the finer points. In middle age you have the equipment to see the subtleties you missed before and you savor it more slowly.
A classic is a book which with each rereading offers as much of a sense of discovery as the first reading.
People have a hard time letting go of their suffering. Out of a fear of the unknown, they prefer suffering that is familiar.
I feel most badly, though, [because] after 10 years, I was at the company, I wanted to go back to New York where I was from. Why I didn’t go to Steve Jobs and say, ‘Steve, let’s figure out how you can come back and lead your company.’ I didn’t do that, it was a terrible mistake on my part. I can’t figure out why I didn’t have the wisdom to do that. But I didn’t. And as life has it, shortly after that, I was fired.
I would have to work on the song and figure out how they wanted the song done, because they're such high-intensity songs. We figure that out first, then I go back and listen to it and go over and rehearse stuff with it and try to get a feel for the words.
I never knew how good it is to be unknown until now. The last time I was unknown I was too busy trying to become known to realize the advantages of obscurity.
Rereading a favorite novel first read 5, 10, or 20 years ago, is a measure of our travel, how far we've come; it's a way of visiting an earlier self.
I mean, comedy's hard. If you go back and look at the first season of 'Seinfeld,' it's a work in progress and that's what happens. It just takes time for people to figure each other out, and figure out timing, and to develop creatively with the writers.
I mean, comedy's hard. If you go back and look at the first season of Seinfeld, it's a work in progress and that's what happens. It just take time for people to figure each other out, and figure out timing, and to develop creatively with the writers.
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