A Quote by Cynthia Ozick

very bright teeth as big and orderly as piano keys. — © Cynthia Ozick
very bright teeth as big and orderly as piano keys.
I love playing all kinds of roles. I hope it doesn’t sound too pretentious, but I always feel human nature is like a piano, and there are 88 keys, and there are some white keys and some black keys, and each character is a different chord on the piano. Basically, I hope that in the course of my life, I will have played all 88 keys. So, I’ll have played heroes and villains and princes and kings and warriors and beggars and thieves and lovers and fathers and wizards and all of those things. That is why I’m an actor… I love studying people.
The genome could be thought of as a kind of piano with twenty-five thousand keys. In some cases, a few keys may be out of tune, which can cause the music to sound wrong. In others, if one key goes dead the music turns into a cacophony, or the whole piano self-destructs.
Life's piano can only produce melodies of brotherhood (and sisterhood) when it is recognized that the black keys are as basic, necessary and beautiful as the white keys.
I used to play the piano when I was younger, and I loved Alicia Keys. I wanted to be Alicia Keys; she was such an idol to me.
The piano is just a different animal. It's expensive, it's big, it's heavy, and it doesn't fit in the mix easily. Everyone grew up with a piano in their living room, so rocking out on the piano was accessible - it wasn't an upper-class thing. Now pianos have become very much a piece of furniture.
I can't read or write music. When I want to remember something, I try to remember all the keys on the piano. Which is what I still do. I put the numbers on the keys. And that's got to become music again.
I change my keyboard between every book. I usually shop around. I'm very passionate about the physical feel of pressing the keys. It's got to have the right springiness. I tend to find the built-in keys very unsatisfying, the keys are low-profile and don't really do anything - I want it to feel like I'm typing.
We're interested in things that have big teeth, and you can see the evolutionary value of that, and you can also see the practical consequences by watching 'Animal Planet.' You notice they make very few programs about gerbils. It's mostly about things that have big teeth.
The thing with the piano is, the piano is like percussion almost - well, it is. You have to... not beat on it, but there is more work involved than a Hammond. With a Hammond, you just lay your hands on the keys, man, and you're gone.
A piano is a machine, but you've got ivory and there's weight behind the keys and you have this really - you feel the resonance in the instrument, you feel the vibration in the pedal. I mean, these a still very crude.
When I was playing piano, it was like, 'I'm going to write a song using all the white keys.' My music director, who knew my jazz background, suggested I try big-band music, so we spent a year experimenting with it in concert, and the audience reaction was really good.
Slap some keys on her and we'll have a piano.
The piano has eighty-eight keys, and you have to be able to play all of them. And the range of white to black is analogous to the eighty-eight keys and you have to be able to play all eighty-eight keys in that palette from white to black.
The public is like a piano. You just have to know what keys to poke.
Touch me 'til my ribs become piano keys.
I had braces for six years! Kids would call me 'big teeth' or 'rabbit teeth.'
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