A Quote by Cynthia Ozick
Women who write with an overriding consciousness that they write as women are engaged not in aspiration toward writing, but chiefly in a politics of sex.
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When men write women, they tend to write women the way they want women to be, or the way they resent women for being. They don't really - they seldom nail it. It takes a woman to write a really good female character. I like that.
People will sometimes say, "Why don't you write more politics?" And I have to explain to them that writing the lives of women IS politics.
Let women write horror. Let women write darkness, let women write trauma, without having to carve out their own trauma to justify it.
There are moments when you have to write certain things and you don't have to think of your sex. If you are writing about the population of the thirteenth district in Paris, even if you are writing on the women in the thirteenth district, there's no need to consider your sex.
The secret to writing is just to write. Write every day. Never stop writing. Write on every surface you see; write on people on the street. When the cops come to arrest you, write on the cops. Write on the police car. Write on the judge. I'm in jail forever now, and the prison cell walls are completely covered with my writing, and I keep writing on the writing I wrote. That's my method.
When I first started writing, there was no way I'd write a sex scene. That just seemed impossible. That's why in "Fight Club" all the sex happens off-screen. It's all just a noise on the other side of the wall or the ceiling. I just couldn't bring to write in a scene like that. So one of the challenges with "Choke" was I wanted to write sex scenes until I was really comfortable just writing them in a very mechanical way.
I can't imagine otherwise - I guess Virginia Woolf could write wonderful novels where the women never have sex, and her novels work. But for me, I don't think I could write a plot without sex happening somewhere.
...black women write differently from white women. This is the most marked difference of all those combinations of black and white, male and female. It's not so much that women write differently from men, but that black women write differently from white women. Black men don't write very differently from white men.
I feel like women very often do write differently than men, but women write things that men can't write.
Women writers should write a lot if they want to write. Take the English women, for example. What amazing workers.
Men aren't actively writing women to oppress them, men are writing what they know. I say you can be much better as a woman for women's rights if you just go up there and write your own material.
As I continue to write as M. O'Keefe, I find myself following darker story lines. Plots I might have flinched away from I now rush toward. Using sex as a tool to tell women's stories is endlessly fascinating.
I think that we're in a really amazing time, where there are really a lot of really fantastic female actresses and comedians. I imagine there's just a lot of opportunity for women to have powerful roles. Or it's just that there's more women writing TV. Women tend to maybe write strong women.
I think the first trick to writing a feminist work is to write plenty of women. That way you get to write characters, instead of worrying about paradigms.
The notion that Playboy turns women into sex objects is ridiculous. Women are sex objects. If women weren't sex objects, there wouldn't be another generation. It's the attraction between the sexes that makes the world go 'round. That's why women wear lipstick and short skirts.
Think you can't write women? Don't. Write people and make them women.
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