A Quote by Cynthia Ozick
Sometimes writing has to be forced. In starting out, the shape and timbre and texture of what is to come is an uncertain chimera shimmering from behind a veil. You must not wait, loiter, dilly-dally. You must force your way painfully through.
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For pilots sometimes see behind the curtain, behind the veil of gossamer velvet, and find the truth behind man, the force behind a universe.
Shall any gazer see with mortal eyes, Or any searcher know by mortal mind; Veil upon veil will lift but there must be Veil upon veil behind.
Woman must be put back in her place. Man’s great error was to put woman on a pedestal, when she is far more at ease on her knees – where she belongs. … Woman must be reacquainted with truth and force. She must be reacquainted with truth through force. … She must be shown in no uncertain terms the absolute nature of the master/slave relationship endemic to the sexes.
For the multifold secret to work only one thing is necessary. You must take action. You must give. You must share. You must act with abandon. Send out waves of love and kindness into the world and then simply wait for the response. Or, better yet, continue to send out more waves. Why wait? The response will come. Keep sending waves and enjoy the reaction.
To find the balance you want, this is what you must become. You must keep your feet grounded so firmly on the earth that it's like you have 4 legs instead of 2. That way, you can stay in the world. But you must stop looking at the world through your head. You must look through your heart, instead. That way, you will know God.
Wait, wait, wait, wait. Don't try to write through it, to force it. Many do, but that won't work. Just wait, it will come.
Now that this torch is lit, we do not have time to dilly dally around.
I try to write every day. Sometimes the things come out well, and sometimes they don't. When they come out well you think, Wow, I must be really great; and when they come out poorly, you think you must be terrible, but the truth is that's how any process works.
The first stars tremble as if shimmering in green water. Hours must pass before their glimmer hardens into the frozen glitter of diamonds. I shall have a long wait before I witness the soundless frolic of the shooting stars. In the profound darkness of certain nights I have seen the sky streaked with so many trailing sparks that it seemed to me a great gale must be blowing through the outer heavens.
The camera machine cannot evade the objects which are in front of it. When the photographer selects this movement, the light, the objects, he must be true to them. If he includes in his space a strip of grass, it must be felt as the living differentiated thing it is and so recorded. It must take its proper but no less important place as a shape and a texture in relationship to the mountain tree or what not, which are included.
There is no doubt that even the greatest musical geniuses have sometimes worked without inspiration. This guest (inspiration) does not always respond to the first invitation. We must always work, and a self-respecting artist must not fold his hands on the pretext that he is not in the mood. If we wait for the mood, without endeavouring to meet it half-way, we easily become indolent and apathetic. We must be patient, and believe that inspiration will come to those who can master their disinclination.
Each morning we must hold out the chalice of our being to receive, to carry, and give back. It must be held out empty - for the past must only be reflected in its polish, its shape, its capacity.
My old man said, `Follow the van, Don't dilly-dally on the way!'
But I dillied and dallied, dallied and dillied,
Lost the van and don't know where to roam.
Fear, when your friends say to you what you have done well, and say it through; but when they stand with uncertain timid looks of respect and half-dislike, and must suspend their judgement for years to come, you may begin to hope.
The way you create any outcome in your life is to hold the vision of your deepest desires. At the same time, though, you must honestly and accurately assess your current situation and how it relates to your greater vision. By doing this, you engage tension between what is and what can be. This tension is the primary creative force behind the manifestation of any outcome. It's as natural and powerful as the force of gravity.
Occasionally words must serve to veil the facts. But let this happen in such a way that no one become aware of it; or, if it should be noticed, excuses must be at hand to be produced immediately.
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