A Quote by Cynthia Ozick

After a certain number of years, our faces become our biographies. — © Cynthia Ozick
After a certain number of years, our faces become our biographies.
Our record number of teenagers must become our record number of high school and college graduates and our record number of teachers, scientists, doctors, lawyers, and skilled professionals.
None of our bars smell like a bar at all - that's our number one rule - and we use certain scented candles and certain types of incense in order to give our bars a specific feel and ambiance.
There are mystically in our faces certain characters which carry in them the motto of our souls, wherein he that cannot read A, B, C may read our natures.
There are mystically in our faces certain characters which carry in them the motto of our souls, wherein he that cannot read may read our natures.
Recognize that the great majority of us aren't trained actors and entertainers. Usually, it's not our faces, our bodies, our personas or our stage presence that sells our books. It's our stories, our visions and our voices.
We do not go to bed in single pairs; even if we choose not to refer to them, we still drag there with us the cultural impedimenta of our social class, our parents' lives, our bank balances, our sexual and emotional expectations, our whole biographies-all the bits and pieces of our unique existences.
If we do not control our minds with our Buddha nature, do not practice seriously, are not honest to ourselves and do not examine our behaviors strictly, we will definitely be possessed by Maya. Being possessed does not necessary mean that we become delirious or our faces become horribly distorted. When we do not walk on the right path, we will be walking on Maya's path.
We wear on our faces the results of what we believe and how we behave, and such behavior is most evident in the eyes and on the faces of those who have lived many years.
Kirsten Gillibrand and I are very similar in our biographies. We're both mothers, we're both lawyers. But we couldn't be more different in our beliefs, in our principles, in our politics.
I think you've got to accept that certain things are in process that you can't change, that you can't overwhelm. The chaos of our cities, the randomness of our lives, the unpredictability of where you're going to be in ten years from now - all of those things are weighing on us, and yet there is a certain glimmer of control. If you act a certain way, and talk a certain way, you're going to draw certain forces to you.
Intelligence, goodness, humanity, excitement, serenity. Over time, these are the things that change the musculature of your face, as do laughter, and animation, and especially whatever peace you can broker with the person inside. It's furrow, pinch, and judgement that make us look older - our mothers were right. They said that if you made certain faces, they would stick, and they do. But our mothers forgot that faces of kindness and integrity stick as well.
It's not a failure if a marriage or partnership ends after a certain number of years. I think, in general, we expect too much of partners. We can't fulfil a person's every single need and, after ten years or so, many relationships wear out. If we were more philosophical about it, we wouldn't try to blame the other person or be bitter.
Whether we know it or not, we transmit the presence of everyone we have ever known, as though by being in each other's presence we exchange our cells, pass on some of our lifeforce, and then we go on carrying that person in our body, not unlike springtime when certain plants in fields we walk through attach their seeds in the form of small burrs to our socks, our pants, our caps, as if to say, 'Go on, take us with you, carry us to root in another place.' This is how we survive long after we are dead. This is why it is important who we become, because we pass it on.
We carve on our body what society teaches us and continue this task, not knowing the identity they force us to have. This identity is carved on our faces and our skins. Not knowing our bodies have become "the paper made of human meat," we stuff our bodies and make them a theater where cultural symbols or suppressed symbols play.
When a man sits in our jails for a number of years, and around him friends and family become angry, that is how we create terrorists.
The whole idea is preserving the music and the art and not having us and our faces and our individual characters distract from that. That was the original idea, and now it's really become part of what Tool is. It has allowed us to really concentrate on our music and our show.
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