A Quote by Cynthia Payne

Once the film came out everyone wanted me, including George Michael. — © Cynthia Payne
Once the film came out everyone wanted me, including George Michael.
I didn't watch any films. This film, The Proposal, had it all in the script. Once all the pieces, once I met Anne Fletcher and I knew what she wanted and that we wanted the same things, and once they said Ryan Reynolds was on board and once the casting came together, you saw what it wanted to be.
I came around at a time when myself, Michael Jackson, Prince, Madonna and George Michael, we were considered kind of dangerous.
Digital also had this evolution that came out of post-production. And George Lucas did it because he wanted to make a big movie with special effects. Sort of the opposite of what you'd think is an indie film. So it's coming from both these angles.
When that Twitter account came out, @HopperDancingTo, and they put me to all these different songs, I thought that's pretty much one of the funniest things I've ever seen. I watched that for a couple hours straight, him dancing to George Michael and all these stupid songs.
George was the easy part. As for Michael, I had always liked the name, and my father's brother is named Michael. I thought it was a good idea because there are a lot of Greeks in England with the second name of Michael; as a child I had a Greek friend whose second name was Michael. It was like getting the name that I wanted without having to get rid of the Greek element.
Once we played at the Fillmore opposite The Cream. Eric Clapton was there and he played his ass off that night ... backstage Michael Bloomfield introduced me to Eric, and Eric was so nice. He came up to me, put his arms around me and said "Barry, it's such a pleasure to meet you" ... I couldn't figure it out... then Michael told me that he had told Eric I had cancer and two months to live...
I did the voice of Cyclops on 'Shrek the Third'. I don't know how I got that. They said they wanted a Michael Chiklis type, and apparently it came down to me and Michael Chiklis, so how they gave it to me, I don't know.
I wanted to be famous. It's embarrassing to admit, but I came out to L.A. thinking it would happen in no time. I thought, 'Once they see me, they'll be so glad I came.' I always had a ridiculous amount of self-confidence about what was going to happen to me.
Everybody gave 100%. I mean everyone, because they all knew that the film had the bones and the heartbeat of something that could be good. And everyone was in on it and wanted it for me and wanted it for Roger and Beau.
Michael!” Oliver’s voice came faint through the front door. “Something you should see, my boy! Look out your windows!” “Trap,” Shane said instantly, and reached out to grab Michael’s arm as he walked by. “Don’t, man.” “What’s he going to do? Make faces at me?
The thinnest I've ever been was after I had my appendix out, during the London run of The Seagull. I went down to 112 pounds and realized my brain doesn't work when I'm that thin, so I can't do my job. That's why, when I came out here, I never had that whole Hollywood pressure thing. I never said I wanted to be a lead actress; I never said I wanted to be a film actress. This need to trump everyone bewilders me. I'm only 25. I'm not better than anyone. I just want to watch other people and learn to be good.
Once I came out in sports, I basically told myself, 'I'm coming out, officially. I wanted to be able to look in the mirror and tell myself that I was being true to me. I wanted to help the younger me, when I was a kid, give them somebody for them to look up to.
There are some rappers out there that I listen to, that I'm like: "You are really good but you could be like the Michael Jordan of rap if you applied yourself." There's a lot of people who are better at basketball than Michael Jordan, but Michael Jordan just wanted to be Michael Jordan, more.
I have worked with a lot of great artists, including some of my heroes like Michael Golden, George Perez, and Jose Garcia Lopez, just to name a couple. I have been spoiled.
What brought me to Disney was the new regime, which is now the old regime, came over with Michael Eisner, Frank Wells, Jeffrey Katzenberg, and all these people really wanted to reinvigorate the animated musical, so they came to Howard Ashman and me. That was my entry into Disney.
What brought me to Disney was the new regime, which is now the old regime - came over with Michael Eisner, Frank Wells, Jeffrey Katzenberg - and all these people really wanted to reinvigorate the animated musical, so they came to Howard Ashman and me. That was my entry into Disney.
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