A Quote by Cynthia Voigt

...a really good friend, the kind of friend who - when they were together both of them were more able to be who they really were. — © Cynthia Voigt
...a really good friend, the kind of friend who - when they were together both of them were more able to be who they really were.
Antoine and Sahara Davenport were really able to help me learn about drag. We really fed off each other. Together, we just clicked. We were both part of 'RuPaul's Drag Race,' so we both got to go through this experience together.
Hillary, you're a strong woman, you're an intelligent woman - you're not a good woman. But if you want to do good, let the Black man go, and stop deceiving them, that you are really their "friend." If you were their friend, why did you kill Muammar Gadhafi?
My friend George and I were walking on the beach in Norfolk, and there were thousands of [razor-clam] shells. They were so beautiful, I thought I had to do something with them. So, we decided to make [a dress] out of them. . . . The shells had outlived their usefulness on the beach, so we put them to another use on a dress. Then Erin [O’Conner] came out and trashed the dress, so their usefulness was over once again. Kind of like fashion, really.
You think about when you're with your friend, and you hang out with your friend. And then you go do whatever you're doing, your life. You know, and then you see your friend again. But for us, we were friends that, we would be together, and then we would go to work, which was us still again, so we were always together.
If somebody needs, like, a phone call every day or some kind of constant companionship, I'm not a really good friend for them. I can talk to my best friend every couple years and be really happy.
It is one of the great ironies of the American war in Iraq - was that the guys who really got the most out of it were the Iranians. And they have us to thank for that. Yeah, I mean we basically put Maliki in power in 2006, but he has been - he's really not a friend of the United States. He's a friend of the Iranian regime.
When we were writing the 'Stage' album, we realized we'd never really done proper covers, where we were taking songs and making them our own and kind of playing around with them. I came up with the idea of doing a cover of 'Wish You Were Here,' but we didn't really want it on the record.
In my parents I saw a model where they were really always communicating, doing things together. They were really kind of a team. I wanted some of that magic myself.
You were the one who made things different, you were the one who took me in. You were the one thing I could count on, above all, you were my friend.
I have a very close friend who is a brilliant clown, and I always wanted to do a show with him. So I did one year at La MaMa Theatre. I had not done stilts before that show, and I had about two weeks to learn how to do that, and they were just made with off-off Broadway money. The ones that I had in Rogue One were made by [Industrial Light & Magic]. So they were really easy. They were made with actual prosthetic feet on the bottom. They were athletic, in a way. I could run in them. There was a bounce to them that I could use.
These boys, now, were living as we'd been living then, they were growing up with a rush and their heads bumped abruptly against the low ceiling of their actual possibilities. They were filled with rage. All they really knew were two darknesses, the darkness of their lives, which were now closing in on them, and the darkness of the movies, which had blinded them to that other darkness, and in which they now, vindictively, dreamed, at once more together than they were at any other time, and more alone.
We were friends for a year before we started playing music together. We both think it's pretty important. Tyler's my friend before he's a guy in my band, and when we talk to each other about things, it comes from a friend standpoint, not just a business standpoint.
There's a few times in the past when I wrote a song, and I put the words together, and they were very clear pictures, and I felt like I was putting together a really good story. But I don't think I was ever really able to stay on that. What I've sort of developed lyrically is more about the sound of the vocals and what they are.
I didn't really think my music was good enough to be heard by anyone. I had some friends who were releasing records who were older than me, and within that group, I was always the younger, patronized friend who was making tunes as well, which everyone thought was cute.
When we were not shooting [The Hangover] we were sleeping, so pretty much every waking moment we spent together. And, you know, Bradley [Cooper], Zach [Galifianakis] and I were acquaintances before the movie started but we became good friends very quickly and spent so much time together that it was just inevitable we were either going to really hate each other or really like each other. Thank god it turned out to be the latter.
Bed is a good friend; book is a good friend; night is a good friend. Try to bring them all together.
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