A Quote by Cynthia Weil

We were very fortunate to have been on the scene when we were. — © Cynthia Weil
We were very fortunate to have been on the scene when we were.
The Ramones were a great bunch of guys. They were very quiet, very shy. They were a little in awe of the filmmaking process, probably because we started at 7 a.m. I do remember the very first day of shooting, I met them and did the scene in the bedroom where Joey sings to me, and they were all scattered around my bedroom in my little fantasy scene. That was the first scene we shot of the movie. That scene is kind of a strange way to start a movie. "Okay, get undressed, and these weird guys in leather jackets and ripped jeans are going to sing to you."
Every day, every scene, you were like, "My god. I'm doing a scene with Brian Cox today and then I'm onto a scene with Stephen Rea." For us young actors, I think we were all very, very star-struck and impressed by the caliber of everyone who came out.
I've been very fortunate because many of the teachers I had were exceptional. But I didn't realize that at the time that all teachers were not alike.
We were very fortunate to have a a little time in history when LSD was still legal and were able to experiment with drugs just like we were doing with music.
[At DuPont,] I was very fortunate that I worked under men who were very much interested in making discoveries and inventions. They were very much interested in what they were doing, and they left me alone. And I was able to experiment on my own, and I found this very stimulating. It appealed to the creative person in me.
It was something very beautiful because we all had that interest. We were very close to all of the different groups of the time - the ones that we began to play with in the same venues - Maldita Vecindad, Caifanes, Botellita de Jerez. However, we were all very different, and each group had their unique way of expressing themselves; their own original voice. It was a very beautiful era of Mexican music, and the truth is that we are very fortunate to have been part of it.
My father was a very powerful influence, well, always, through our life. He taught us very much that... we were very lucky and that we should make a contribution to country, that we were fortunate to live in America.
I think D.C. has always been very, very vibrant for food. Like Boston in a way. Boston and D.C. were really the two cities that were the most active with their local chefs and their local food scene.
Yes, you can feel very alone as a poet and you sometimes think, is it worth it? Is it worth carrying on? But because there were other poets, you became part of a scene. Even though they were very different writers, it made it easier because you were together
Yes, you can feel very alone as a poet and you sometimes think, is it worth it? Is it worth carrying on? But because there were other poets, you became part of a scene. Even though they were very different writers, it made it easier because you were together.
Even colors were important to me. If it was a somber scene, the colors were muted and dark. If it was a happy or seductive scene, the colors were brighter.
I've been very fortunate, because I've been involved in things that very often lead to obscurity. I was in some pictures that were not successful whatsoever. I think people admire persistence. People notice that I'm still there.
We were very fortunate to be in YouTube in the very beginning. There wasn't a lot of content on there, so we were pretty easy to find on YouTube. That was really helpful in growing our channel.
I feel very fortunate to have been associated with people such as Rodgers and Hammerstein. I think they were geniuses of their time.
I had invited 50 or 60 peers and friends, most of whom were parents, to see the film [Trust], and I asked about the last scene. It was interesting because it was split right down the middle, 50/50. About half the audience wanted it to end with the very emotional scene between Clive and Liana, and that feeling of realization and catharsis. And, the other half were adamant about keeping that last scene.
I got in trouble in film school at USC because one of my Super-8 movies there, in the first semester, involved a snowmobile chase scene. I made an action scene, and they were like, 'That wasn't what you were supposed to be doing.'
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