A Quote by Cynthia Weil
We all have fertile creative periods and times when we can't figure out how we ever did it.
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I did the Daily Show, and then I did Air America Radio, and I realized that I was lucky enough to have a job where I could get information to people. But those spaces weren't appropriate to then tell people what to do - they were corporate enterprises. My main job was to be funny, so I was trying to figure out, how can I combine all the things I love - comedy, feminism, calling out bullshit - into a creative space that other creative people would want to join in and help out?
If we could figure out ways for kids to exit college without having the burden of debt, what we have really figured out is how to create a more fertile breeding ground for people who can think innovatively and progress us as a species.
Forcing me to figure out how to provide for myself was probably one of the best things my parents ever did for me.
The first five years as a writer, I didn't know how to write at all. I couldn't write my way out of a white paper bag. And yet, I did some remarkable things. And later on, there were periods where I got this mission to find an articulate voice with rewrites and all. There were periods where I was as dense as Faulkner.
Everything that Traffic ever did, I'd give Steve a complete lyric, titled, written out with the verse, the bridge, the shape and rhyme and then Steve had to figure out how the meter of the words would fit musically.
If you love somebody; You better let it out; Don't hold it back; While you're trying to figure it out; Cause the only real pain a heart can ever know; Is the sorrow of regret; When you don't let your feelings show. So, did you say it, Did you mean it?
There's no recreating what Michael Jackson and Diana Ross did in 'The Wiz'. We're trying to figure out who these characters are in 2015. How would these times change their motives, change the things they would say and do?
I'm in an odd place right now in New York where I routinely get trashed by every daily drama critic and have a few allies among weekly/monthly drama critics, and you sort of plot these things out and figure it out. But it's just what any writer goes through, periods of favor, periods of disfavor. And the trick is just to keep writing and to not let an obsession.
I was struggling to figure out how to combine the abstract and the representational. Painting, I suddenly understood how that aesthetic could fit together. That was a really fun game to figure out how that worked.
During my 18 years I came to bat almost 10,000 times. I struck out about 1,700 times and walked maybe 1,800 times. You figure a ballplayer will average about 500 at-bats a season. That means I played 7 years without ever hitting the ball.
I try to find creative ways to put ideas out to make the ground fertile for organizers.
It's a lot easier to figure out how to scale something that doesn't feel like it would scale than it is to figure out what is actually gonna work. You're much better off going after something that will work that doesn't scale, then trying to figure how to scale it up, than you are trying to figure it all out.
When you're seventeen to early twenties, that's the time you're trying to work out who you are. If you're trying to make some kind of artistic or creative impact, that's the age when you start to figure out how to do that.
Did you ever fly a kite in bed? Did you ever walk with ten cats on your head? Did you ever milk this kind of cow? Well, we can do it. We know how. If you never did, you should. These things are fun and fun is good.
Trying to make certain things on the Internet totally private unless you subscribe. It's not going to work. If you can figure out how to close something down, somebody can figure out how to open it up. That's art.
How many times have you heard a person in a workplace say, "I wasn't trained for this!" That's an impossible reaction from a physicist, who would say, instead, "Cool. A problem I've never seen before. Let's see how I can figure out how to solve it!"
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