A Quote by Cyril Connolly
Classical and romantic: private language of a family quarrel, a dead dispute over the distribution of emphasis between man and nature.
Related Quotes
The violent quarrel between the abstractionists and the surrealists seems to me quite unnecessary. All good art has contained both abstract and surrealist elements, just as it has contained both classical and romantic elements - order and surprise, intellect and imagination, conscious and unconscious.
What line breaks add to prose prosody is a connection between eye
and ear which emphasizes the nature of the language by ... creating
units of intent and emphasis, and by contouring the meloding pitch
changes in the narrative-line.
In socialism, private property is anathema, and equal distribution of income the first consideration. In capitalism, private property is cardinal, and distribution left to ensue from the play of free contract and selfish interest on that basis, no matter what anomalies it may present.
At one point, when I was 20 and living in Kentucky, I got shot - it was a land dispute over six inches of property that ran a hundred yards through my grandfather's land. It was really over the honor of my family and that of another family.
If you dispute with me you will only quarrel with your bread and butter.
Listen to me: a family man is never a real family man. An assassin is never entirely assassin. They play a role, you understand. While a dead man, he is really dead. To be or not to be, right?
A Haydn symphony had a meaning for the social group that listened to it. A Mahler symphony had a meaning for the man who composed it. Here is the difference between the classical and romantic attitudes to art.
"Do you not quarrel, brother Heber?" says one. No, I do not. But; when a woman begins to dispute me, about nine times out of ten I get up and say, "Go it," and then go off about my business; and if ever I am so foolish as to quarrel with a woman, I ought to be whipped; for you may always calculate that they will have the last word.
Bilingual-education advocates say it's important to teach a child in his or her family's language. I say you can't use family language in the classroom - the very nature of the classroom requires that you use language publicly.
When you oppose the shaykh, it's like the slave who kills himself over a quarrel with his master. 'Hey, why are you killing yourself over a quarrel?' He says, 'So my master will suffer loss.'
My mom had this romantic notion of her children playing classical music. The idea is you learn it when you're still learning language. It's using the same part of the brain.
God has communicated to man, the infinite to the finite. The One who made man capable of language in the first place has communicated to man in language about both spiritual reality and physical reality, about the nature of God and the nature of man.
The old view was that delicacy of language was part of the nature, the sacred nature, of eros and that to speak about it in any other way would be to misunderstand it. What has disappeared is the risk and the hope of human connectedness embedded in eros. Ours is a language that reduces the longing for an other to the need for individual, private satisfaction and safety.
Nature is a language and every new fact one learns is a new word; but it is not a language taken to pieces and dead in the dictionary, but the language put together into a most significant and universal sense. I wish to learn this language - not that I may know a new grammar, but that I may read the great book which is written in that tongue.
Is it better to be the lover or the loved one? Neither, if your cholesterol is over six hundred. By love, of course, I refer to romantic love -- the love between man and woman, rather than between mother and child, or a boy and his dog, or two headwaiters.
If nature had produced spontaneously all the objects which we desire, and in sufficient abundance for the desires of all, there would have been no source of dispute or of injury among men; nor would any man have possessed the means of ever acquiring authority over another.
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