A Quote by Cyril Connolly

Better to write for yourself and have no public, than to write for the public and have no self. — © Cyril Connolly
Better to write for yourself and have no public, than to write for the public and have no self.
I'll give you the sole secret of short-story writing, and here it is: Rule 1. Write stories that please yourself. There is no rule 2. The technical points you can get from Bliss Perry. If you can't write a story that pleases yourself, you will never please the public. But in writing the story forget the public.
If you can't write a story that pleases yourself, you will never please the public. But in writing the story forget the public.
The fact that the theatregoing public likes my music is no credit to me. There are many other composers who write better music that the public doesn't like.
It is always better to write for the whole of society than for the poetry-reading public.
Real writers write because they love to write. They don't write for public acclaim.
A society - any society - is defined as a set of mutual benefits and duties embodied most visibly in public institutions: public schools, public libraries, public transportation, public hospitals, public parks, public museums, public recreation, public universities, and so on.
Millions of public workers have become a kind of privileged new class - a new elite, who live better than their private sector counterparts. Public servants have become the public's masters. No wonder the public is upset.
Gather knowledge about the craft of writing. Immerse yourself in the art of it. Then write. Write yourself silly. Write yourself mad. Write yourself blind. Trust the excitement that builds within you when the idea is good and the writing is superb. You can do it, but that's the hell of it as well as the exultation of it. You have to do it.
As an actor, we always want people to write about us and talk about us. And when they are actually writing, then we say, 'Don't write about this.' I am an actor; I am a public property. I don't own myself; public owns me.
I do not write for the public. You are my public and I hope to convert you.
Writing is a weird thing because we can read, we know how to write a sentence. It's not like a trumpet where you have to get some skill before you can even produce a sound. It's misleading because it's hard to make stories. It seems like it should be easy to do but it's not. The more you write, the better you're going to get. Write and write and write. Try not to be hard on yourself.
To write weekly, to write daily, to write shortly, to write for busy people catching trains in the morning or for tired people coming home in the evening, is a heartbreaking task for men who know good writing from bad. They do it, but instinctively draw out of harm's way anything precious that might be damaged by contact with the public, or anything sharp that might irritate its skin.
I like to think that I'm one of the few people in public life who write their own material. I write every word. And I really enjoy writing - especially my political commentary.
The public! why, the public's nothing better than a great baby.
I think I'll always be a better playwright than a pundit, but I believe that writers should be public intellectuals and that theater, even more than film, is a place of public debate.
Why wouldn't you write to escape yourself as much as you might write to express yourself? It's far more interesting to write about others.
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