A Quote by Cyril Connolly
The artist one day falls through a hole in the brambles, and from that moment he is following the dark rapids of an underground river which may sometimes flow so near to the surface that the laughing picnic parties are heard above.
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The 325-foot Seagram Tower is the most southerly and closest to the Canadian falls and also affords the best view of the churning upper rapids of the Niagara river.
To me, music is a river. I have lived my life beside the river. Every day, I get up and look at the river. I watch it and notice when it rises and falls.
The moods of a river change from hour to hour and day to day. It can be still and serene as a glassy mirror, reflecting the clouds that pass over it and the trees on its banks. Or, when a light breeze springs up, the surface of the river may be broken into little diamond lights reflecting the distant sun.
When you fall into a black hole, everything that falls in after you over millions of years, as seen by you inside the black hole, comes pounding down on you in a fraction of a second, because of the enormous differences of time flow.
The answer to this riddle has a hole in the middle, And some have been known to fall in it. In tennis it's nothing, but it can be received, And sometimes a person may win it. Though not seen or heard it may be perceived, Like princes or bees it's in clover. The answer to this riddle has a hole in the middle, And without it one cannot start over.
The river makes the water flow. That's how I live. I just let everything flow. Flow with the river.
People ask me how I make music. I tell them I just step into it. It's like stepping into a river and joining the flow. Every moment in the river has its song.
If you know the music the moment the violin string begins to vibrate, then you know how to navigate through the forest of brambles and entanglements with freedom and ease. If, on the other hand, you think that with practice the forest of brambles and entanglements will altogether disappear, then right from the beginning you are hopelessly entangled and won't find your way.
The barriers between reality and fiction are softer than we think; a bit like a frozen lake. Hundreds of people can walk across it, but then one evening a thin spot develops and someone falls through; the hole is frozen over by the following morning.
Like a stone on the surface of a still river
Driving the ripples on forever
Redemption rips through the surface of time
In the cry of a tiny babe.
The surface of the quieted river, as I think now, is like a window looking into another world that is like this one except that it is quiet. Its quietness makes it seem perfect. The ripples are like the slates of a blind of a shutter through which we see imperfectly what is perfect. Though that other world can be seen only momentarily, it looks everlasting. As the ripples become more agitated, the window darkens and the other world is hidden.the surface of the river is like a living soul, which is easy to disturb, is often disturbed, but, growing calm, shows what it was, is, and will be.
When you're in a fighter jet and there's a dark layer of clouds with just one blue hole with the sun going through it, you shoot for that hole. You go vertical into the light, and suddenly, instead of gray and dark, it's light and blue. You are totally connected with the elements. You are in another world.
It falls in all the cracks, from classical music to jazz,. Anywhere there's a hole in the floor, my music falls through it. But that's OK.
In the homes of many Western Christians, hours are sometimes spent listening to worldly music. In our homes loud music can also be heard, but it is only to cover the talk about the gospel and the underground work so that neighbors may not overhear it and inform the secret police. How underground Christians rejoice on those rare occasions when they meet a serious Christian from the West!
When youre in a fighter jet and theres a dark layer of clouds with just one blue hole with the sun going through it, you shoot for that hole. You go vertical into the light, and suddenly, instead of gray and dark, its light and blue. You are totally connected with the elements. You are in another world.
The underlying tension of a lot of my art is to try and look through the surface appearance of things. Inevitably, one way of getting beneath the surface is to introduce a hole, a window into what lies below.
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