A Quote by Cyril Cusack
Simple stories... emerge as lovely films or television pieces.
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I think I entered the market around the time when there was getting to be less snobbery about the difference between feature films and television. I think there's been a lot more receptivity on television to interesting adult stories that in the '60s and '70s would have been made into feature films. I have no problem jumping back and forth. If anything, I find it less restrictive working in television.
I think 'Game of Thrones' was extraordinary. I want to do some period pieces. It would be lovely to tell great stories, that is my main ambition. And to be working with amazing creators.
You didn't see me on television, you didn't see news stories about me. The kind of role that I tried to play was to pick up pieces or put together pieces out of which I hoped organization might come. My theory is, strong people don't need strong leaders.
Love stories that are too simple don't deserve to have films made about them.
I want to make movies and pieces of television and pieces of art that crack everyone's assumptions.
We were talking about television one time, and Damon Lindelof said he felt that, if Ernst Hemingway was writing for media, he would write feature films, and Lev Tolstoy and Fedor Dostoyevsky would write television series because there are some stories you just can't tell in two hours.
In period pieces or genre pieces, those have to be set in historical truths. But, science fiction has different game pieces. And with those game pieces come other stories we're not familiar with. So, science fiction teaches us how to relate to outsiders, to foreigners, and to not approach any of that with fear, but a genuine curiosity.
Growing up, I didn't have television. My dad would make up stories and tell me stories, so my imagination ran wild. When I did see films, which was very few and far between, that was such an interesting medium that was so new to me. It wasn't something that was just part of my life, so it was really appealing and so different that I enjoyed that.
In France, it is television that pays for films to be made and I received all of my funding from TV: two television channels, government funding and distributor contribution (Wild Bunch). My films are low-budget, and not expensive [to make].
History class was a forty-minute squirm from which I would emerge unscathed by insight. Down the hall in English Lit, though, there were stories to be had, and it was stories I craved.
Stories are best when they 'emerge' from the depths, and when built in a painting from early sketch through the three-act process to The End, it is a perfect pathway to the unconscious stories set in our dreamwork.
We were on the island of Hawaii. I think I was there three months. It was fantastic. It is not much different than films. It depends on the television show but much of television today is as good or better than most films.
Closer of lovely eyes to lovely dreams, Lover of loneliness, and wandering, Of upcast eye, and tender pondering! Thee must I praise above all other glories That smile us on to tell delightful stories.
I am probably the only actor who came from television serials to films and was able to work in films this long. Of the 75-odd films I've done, in around 40 of them, I've been the hero.
May we all emerge from winter with our strength renewed and any unwanted pieces left under the ice.
Television is competitive now, and the great stories live on television right now. I'm finding that I'm enjoying television more than film, these days. That was my motivation to take a TV show.
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