A Quote by D'Angelo
It's not too hard to play Fender Rhodes keyboard if you get the right one, with some good action on the keys. If you got an old one that ain't been touched up, it could be kind of difficult to get real loose on it.
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One day, I was just fingering around on the keys of a Fender Rhodes piano, and I came up with this little riff, and all of a sudden, it morphed into a song. It had never been touched by a guitar, which was very weird for us. 'Under the Ground' is the first song I have ever written that had nothing to do with the guitar.
I love my Fender Rhodes. It's been a part of my family since that keyboard came out, and I've had it reworked so that it's in the best condition it's actually ever been in. That is my baby.
I like playing on this team. We actually been doin' real good. Got a different mix here. Most important thing is you gotta keep pickin' up in paces. That's why we're playing contentious play. We got top names, guys can still hit in the majors, guys been out of the game hittin' the ball, shockin' it. Don't have no old, old guys. Not sayin' they don't get a good job done. Fact is, they've been vice versa. So that's incentive right there. It's been a plus.
You've got to get good habits of working hard so that when that play comes up during the regular season that you're able to complete it and do it the right way.
I change my keyboard between every book. I usually shop around. I'm very passionate about the physical feel of pressing the keys. It's got to have the right springiness. I tend to find the built-in keys very unsatisfying, the keys are low-profile and don't really do anything - I want it to feel like I'm typing.
I always really enjoyed our early days, before we got too famous. We used to play clubs and that kind of stuff all the time. And it was fun. It was good because you get to play and get quite good at the instrument. But then we got famous, and it spoiled all that, because we'd just go round and round the world singing the same 10 dopey tunes.
You are talking to a man who can only play a plastic keyboard. Give me anything weighted and I've had it. I haven't got the strength in my fingers to push them down. So I don't get a lot of expression on the keyboard.
I think if you're writing a play, it should be its own end game; you'll never get to do a good one unless you know it's not a blueprint for a film; you're not going to get the action right and the story right.
It's been hard for my parents to be able to drive and come and see me play. And a lot of friends and people just don't get out to see us, so I'd like them to, gosh, before we get too old.
Play before you get good, because by the time you get good, you're too old to play
You've got to get out of the car, take the keys around, open up the trunk lid, hand the keys to the Lord Jesus, get inside the trunk, slam the lid down, whisper through the keyhole, 'Lord look, fill'r up with anything you want and you drive, it's up to you from now on.'
Science-fiction cities in general, I think, are so hard to get right, because it's so easy to just play some cheesy music or do something that takes you right out of it, but 'Blade Runner' got it right, and I love that about the film.
When I was young, I was on a real hot streak with 'Crazy Climber.' There was a good three-week span where I couldn't get that game out of my head. I could not get back to the arcade fast enough to try and climb up there and not get kicked by a potted plant this time. That one got under my skin.
Everybody understands that acting is a really difficult job. It's hard work. You've got to get dressed up, you've got to hang around with beautiful women. It's difficult. It's a problem.
So I get all the references and I totally get the humor and it's really fun. This - it's kind of a mash up of so many different genres and things that kind of, sort of are just part of youth culture right now. Music and action and video games, and it's kind of amazing to see it all piled into one film.
Not intending to be funny: I sit at the keyboard, put my fingers on the keys and go. To me, it's the real secret of writing. Put yourself in front of the screen or the blank sheet of paper and get to work.
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