A Quote by D. B. Sweeney

It's especially gratifying to have done a film like 'Eight Men Out' because it's hard not to have fun when there are so many bats and balls around. — © D. B. Sweeney
It's especially gratifying to have done a film like 'Eight Men Out' because it's hard not to have fun when there are so many bats and balls around.
Yeah loads of bruises and welts, usually around the hip, arse, thigh region and elbows. Elbows got knocked up big time, but it was so much fun. I hadn't done a meaty action film in seven or eight years, so it was fun to explore that aspect of storytelling again.
When we are youths in the Dominican, we pick up bats and balls because baseball is part of what we grow up with. The fun feeling you get playing keeps your head up when you encounter difficult times.
Devils are depicted with bats' wings and good angels with birds' wings, not because anyone holds that moral deterioration would be likely to turn feathers into membrane, but because most men like birds better than bats.
I think these are such different films that it's hard to compare, because with Quentin we were all just like, it was like a party every day, you know, it was like that film was just like silly, it was just really for fun, it was really, it wasn't, you know, to make a huge impact. I t was just we wanted to have fun and go to work every day and do a fun movie. And this is like huge, I mean, this is like huge studio film, there's a ton of action, it's like really hard work.
It's interesting to me because theater is, on any given day, 10,000 times harder than film and television. And that's not to say film or television can't be hard or challenging; it's emotional to do the same thing over and over and over. But in terms of stamina, there is nothing like an eight-show week to separate the men from the boys.
With sports and games, you have fun despite working very hard, even despite failing repeatedly. Even the fun of a night out, you have to get somewhere and do all the conversational, social work of being out. There's effort involved. But then when you're finished, you can conclude, "Actually there was something gratifying about the hardship that I just encountered." That discovery of novelty is where the molten core of fun is.
I admit that I've been beaten up so many times in films, but we do not fake it - we actually have to fight when we shoot to make it real and to save film and time. Even the props that are not real, like the bats are plastic, but they're still very hard, so it still hurts.
I will tell you that I'm a bit of a snob. I love film, and I would like to work in film, and I'm disappointed that indie film is as hard as it is to work in now. It's hard to get things done, but that sort of work is being done on TV. That's what I do; that's what I write. It's what I love, and hopefully, that's what my future's going to be.
Promoting a film can get tiring but if you find a clever way to promote it, it can be fun. Also, it is not fair to yourself and the film if you don't promote it. You've worked hard for the film for the past six or eight months and then if you don't give it your all and create awareness among the people then it is not fair.
We decided to have the baby at home because we wanted it to be a natural birth, and it turns out that it was 30 hours of natural. Eight hours of pushing - that's the part that men don't understand. Women go, 'Oh, dear, oh, dear God, eight hours of pushing?' And the men are like, 'Okay, eight hours of pushing.'
'This is Spinal Tap' was a film we felt really had to be done like that. It wouldn't have worked any other way. And it turned out to be the first time a fiction film had really been made in a documentary format. I continued to do that, obviously, because it's a fun way to work.
When we played the Dodgers in St. Louis, they had to come through our dugout, and our bat rack was right there where they had to walk. My bats kept disappearing, and I couldn't figure it out. Turns out, Pee Wee Reese was stealing my bats. I found that out later, after we got out of baseball. He and Rube Walker stole my bats.
I usually don't look at at-bats where I get out. I look at my hits. I look at good swings I put on balls. Because of that good swing or good at-bat, I can see what I need to continue to work on and recreate.
I would like to say to as many people as possible that please go and see the film 'Jaana,' because we all have worked hard to make it a good film.
I dropped my juggling balls and my face grew embarrassed. It wasn't until then that I looked around the circus of life and noted all were too consumed on their own juggling act to see. This is when I learned to have fun, and kick the balls instead.
When you start on a new film, no matter how many you've done before that, I think I've done close to 80 films, but it's always kind of a fun adventure.
This site uses cookies to ensure you get the best experience. More info...
Got it!