A Quote by D. B. Sweeney

I thought it's very funny that I ended up as a voiceover guy because when I started out as an actor, I had a very strong Long Island accent. — © D. B. Sweeney
I thought it's very funny that I ended up as a voiceover guy because when I started out as an actor, I had a very strong Long Island accent.
I didn't think I had a voice at all, and I still think of myself as an interpreter of songs more than a singer. I thought it was too deep; people thought I was a man. I had a very strong Jamaican accent, too; the accent really messed me up for auditions.
I had this very strict rule when I began auditioning that I wasn't gonna do a thicker accent, because it was like, 'I can't tell if it's supposed to be funny because he talks funny.' And now I feel like there are certain characters that I could play that could involve doing a thicker accent, as long as it's specific to that character.
'Strong Island' is slang for Long Island, New York. And it really grew out of - what may surprise people, it really grew out of the very vibrant hip-hop scene that, you know, is located and still generates artists out of Long Island.
I thought I had a pretty good American accent but I had a few sessions with a voice coach over there and she was picking up on a few things. Possibly because I've got such a strong Northern accent, I emphasise the wrong part of words so the idea is to work on my American accent.
I have had people come up to me in the street - one woman actually told me she hated my accent, she can't believe I'm on the telly and my accent is so annoying. I ended up laughing because I thought, 'this person doesn't know me but she felt she could come up and slate my accent.'
When I started acting, I had a really strong discipline of knowing that you had to be on time, knowing that you had to work 12 to 16 hours a day, knowing you had to be prepared, knowing you had to be ready, and it's very interesting because if you're an artist and you're creating, you can work very, very long hours but as you're putting out that love of creation, it's almost like you're charged by it, you're charged by the process of it.
If I was fat and had a strong regional accent and was a bloke, I'd be a stand-up. Because I think I'm funny.
My mother and my father had very, very strong Scots accents. We were Australian, and in those days when I was young, I spoke with a much more of an Australian accent than I have now. However I knew that if I went to England to become an actor, which I was determined to, I knew that I had to get rid of the Australian accent. We were colonials, we were Down Under somewhere, we were those little people Over There. But I was determined to become an Englishman. So I did.
I grew up on a pig farm in southeast Nebraska. When I started doing the Blue Collar Tour, I thought it was kind of funny because I faked my accent, so everybody thought I lived in an apartment somewhere. But I grew up on a pig farm.
I don't know who wants war in America, but I was very happy when Ronald Reagan ended the Cold War by reaching out to Russia. And - and they ended up discarding their Marxist Leninist baloney that had threatened the world for so long.
When a Spanish actor does an accent, that's sexy. When Peter Sellers did a French accent in 'Pink Panther,' that's funny - he got nominated for a Golden Globe. How come whenever an Asian actor does an accent, he's stereotyping?
So I realized when I was successful in a piece, it was because I didn't abandon a notion early on what it ought to be, and I let it take me along. So I've had songs that started out as being about the environment and ended up being love songs and love songs that ended up being about the environment. I've had things that I thought would be a poem and realized that it was just too big for that. I've got to do something larger and it became a play. I wrote one poem that started a whole play.
My accent has changed my whole life. When I was younger, it was very Nigerian, then when we went to England, it was very British. I think I have a very strange, hybrid accent, and I've worked very hard to get a solid American accent, which is what I use most of the time.
I saw Ben Whishaw playing Hamlet at the Old Vic and straight away had a very strong sense that he might be the end of a very, very long road of searching for the right guy. He did an amazing audition, where it all came across this, instinctive feeling that he obviously had for the character in the Perfume: The Story Of A Murderer.
I went out with seven actors in a row. There are problems with that. I've had the really good-looking dramatic actor, and that has its problems. And then I'll go out with the funny guy. It's almost like the funny guy has more to prove.
I like to think my accent isn't strong enough, but it's funny: I get people coming up to me in America and saying I sound like Mel B. She's from Leeds. They just hear a British accent and probably can't quite work it out.
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