A Quote by D. H. Lawrence
And all the time she felt the reflection of his hopelessness in her. She couldn't quite, quite love in hoplessness. And he, being hopeless, couldn't ever love at all.
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'Gloria' is a film about a fifty eight-year-old woman who is quite alone in life; however, she is quite optimistic. Nobody has much time for her, and so she regularly goes to these single adults' parties where she is looking for someone. By the end of the film, she doesn't necessarily find love, but she does find something else.
She had the consciousness of being nine-and-twenty to give her some regrets and some apprehensions; she was fully satisfied of being still quite as handsome as ever, but she felt her approach to the years of danger, and would have rejoiced to be certain of being properly solicited by baronet-blood within the next twelvemonth or two.
She wasn't looking her best; her hair was coming down, for she had shed hairpins as she'd run, and her face lacked powder and lipstick. She looked hot and tired and surprisingly happy. He thought that he had never seen anyone quite as beautiful, so absolutely necessary to his happiness. It wasn't the first time he had fallen in love, but he knew that this was the last.
What I don't like about Guinevere is the fact that she can't control her passions and urges. She gets herself into quite a love triangle, and quite a web. Personally, I find that very difficult to relate to. But, it wouldn't be interesting, if she did everything right.
Quite suddenly Meggie felt fear rise in her like black brackish water, she felt lost, terribly lost, she felt it in every part of her. She didn't belong here! What had she done?
Her life was a slow realization that the world was not for her and that for whatever reason she would never be happy and honest at the same time. She felt as if she were brimming always producing and hoarding more love inside her. But there was no release. table ivory elephant charm rainbow onion hairdo violence melodrama honey...None of it moved her. She addressed the world honestly searching for something deserving of the volumes of love she knew she had within her but to each she would have to say I don't love you.
Not that she didn't love almost every boy she'd ever met, and not that every boy in the world didn't totally love her. It was impossible not to. But she wanted someone to love her and shower her with attention the way only a boy who was completely in love with her could. The rare sort of love. True love. The kind of love she'd never had.
"She (Minnie Ruth Solomon) was unusual because even though I knew her family was as poor as ours, nothing she said or did seemed touched by that. Or by prejudice. Or by anything the world said or did. It was as if she had something inside her that somehow made all that not count. I fell in love with her some the first time we ever talked, and a little bit more every time after that until I thought I couldn't love her more than I did. And when I felt that way, I asked her to marry me . . . and she said she would."
I felt like Elena from Vampire Diaries. She has two insanely hot men who are in love with her and would do anything for her. One of which, she would give almost everything to be with, and the other she continues to push away, even though she can't ever actually stay away, so she won't have to admit she was in love with him too. At least my guys weren't brothers.
Celia [Brady] is a young woman who, you know, she's still got that fresh young vibe about her but at the same time she's quite wise beyond her years and very mature and she has that womanly, sexy quality, but at the same time she's very youthful in her clothes. She has that interesting mix between the two. I really love that balance about fashion.
She loved him, more than she could ever find words for, but this love he felt for her was not quite the same. It wasn't so much stronger, as more demanding, more insistent. As though he feared he would lose that which he had finally won.
Yes, of course I love little Sarah Jessica Parker. I love the fact that when she accepts awards, she thanks everyone she's ever met and inanimate objects that have 'been kind to her.' And I love the fact that she hasn't had a flesh-coloured mole removed from her forehead (I'm not making it up; have a closer look next time she's on the screen).
Love her, love her, love her! If she favours you, love her. If she wounds you, love her. If she tears your heart to pieces – and as it gets older and stronger, it will tear deeper – love her, love her, love her!
Sometimes a woman's love of being loved gets the better of her conscience, and though she is agonized at the thought of treating a man cruelly, she encourages him to love her while she doesn't love him at all. Then, when she sees him suffering, her remorse sets in, and she does what she can to repair the wrong.
Slowly his resistance ebbed. She felt the change in his body, the relaxing of tension, his shoulders curving around her as if he could draw her into himself. Murmuring her name, he brought her hand to his face and nuzzled ardently into her palm, his lips brushing the warm circlet of her gold wedding band. “My love is upon you,” he whispered…and she knew then that she had won.
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
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