A Quote by D. H. Lawrence

Recklessness is almost a man's revenge on his woman. He feels he is not valued so he will risk destroying himself to deprive her altogether. — © D. H. Lawrence
Recklessness is almost a man's revenge on his woman. He feels he is not valued so he will risk destroying himself to deprive her altogether.
There is no deception on the part of the woman, where a man bewilders himself: if he deludes his own wits, I can certainly acquit the women. Whatever man allows his mind to dwell upon the imprint his imagination has foolishly taken of women, is fanning the flames within himself -- and, since the woman knows nothing about it, she is not to blame. For if a man incites himself to drown, and will not restrain himself, it is not the water's fault.
A man can't hit a woman and stay a man. He becomes a loathsome thing, even to himself. But the woman who stays with such a man panders to his darkness. They both risk their souls.
Always man needs woman for his friend. He needs her clearer vision, her subtler insight, her softer thought, her winged soul, her pure and tender heart. Always woman needs man to be her friend. She needs the vigor of his purpose, the ardor of his will, his calmer judgment, his braver force of action, his reverence and his devotion.
If a young man gets married, and starts a family and spends the rest of his life working at a soul-destroying job, he is held up as an example of virtue and responsibility. The other type of man, living only for himself, working only for himself, doing first one thing and then another simply because he enjoys it and because he has to keep only himself, sleeping where and when he wants, and facing woman when he meets her on equal terms and not as one of a million slaves, is rejected by society. The free, unshackled man has no place in its midst.
The happiness of man is: I will. The happiness of woman is: he wills. 'Behold , just now the world ... entire love. And woman must obey and find a depth for her surface. Surface is the disposition of woman: a mobile, stormy film over shallow water. Man's disposition, however, is deep; his river roars in subterranean caves: woman feels his strength but does not comprehend it.
From woman, man is born; within woman, man is conceived; to woman he is engaged and married. Woman becomes his friend; through woman, the future generations come. When his woman dies, he seeks another woman; to woman he is bound. So why call her bad? From her, kings are born. From woman, woman is born; without woman, there would be no one at all.
People were intrinsically selfish, and many hated the idea of a woman in charge of the Institute. They would not put themselves at risk for her. Only a few weeks ago he would have said the same thing about himself. Now, knowing Charlotte, he realized to his surprise, the idea of risking himself for her seemed an honor, as it would be to most Englishmen to risk themselves for the queen.
We ought to fear a man who hates himself, for we are at risk of becoming victims of his anger and revenge. Let us then try to lure him into self-love.
A woman always has her man, but the man unconsciously leans on his roots, his heritage. He feels like an orphan without his parents.
A man's sexual choice is the result and the sum of his fundamental convictions.... He will always be attracted to the woman who reflects his deepest vision of himself, the woman whose surrender permits him to experience a sense of self-esteem. The man who is proudly certain of his own value, will want the highest type of woman he can find, the woman he admires, the strongest, the hardest to conquer--because only the possession of a heroine will give him the sense of an achievement.
With a woman, a man always wants to let himself go. And it is precisely with a woman that he should never let himself go ... but stick to his innermost belief and meet her just there.
What may intimidate a man is a woman who thinks with her mind before she feels with her heart. Nevertheless what determines the strength in the man is his ability to accept one when he sees one.
With a woman I try to photograph her beauty; with a man I try to show his character. Once I photographed a man with a big nose (Jimmy Durante), and emphasized his nose, and he was very pleased with the picture. That could not happen with a woman. The most intelligent woman will reject a portrait if it doesn't flatter her.
The misnamed "feminine" woman, so admired by her creator, man - the woman who is acquiescent in her inferiority and who has swallowed man's image of her as his ordained helpmate and no more - is in reality the "masculine" woman. The truly feminine woman "cannot help burning with that inner rage that comes from having to identify with her exploiter's negative image of her," and having to conform to her persecutor's idea of femininity and its man-decreed limitations.
Today the manliest man would be ashamed to look into the eyes of the woman by his side and tell her that he is the master because he could knock her down with perfect ease, and break her bones with much greater facility than she could his. And yet, out of man's brute nature, out of that most ignoble in himself, has come his loudest assumption of superiority, his longest and lowest tyranny.
Does not a man physically tremble under the mere look of a wild beast or fellow-man that is stronger than himself? Does not a woman redden all over when she feels her lover's eyes on her? How then should one doubt the mysterious power of one individual over another?
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