A Quote by D. H. Lawrence

Tragedy ought really to be a great kick at misery. — © D. H. Lawrence
Tragedy ought really to be a great kick at misery.
I hate England and its hopelessness. I hate [Arnold] Bennett's resignation. Tragedy ought really to be a great big kick at misery.
I just think what we ought to do is we ought to stop seizing one moments of tragedy. We ought to assure the public that we'll have a full and complete and transparent investigation whenever there's a loss of life because of police action. But, you know, enough of this seeking every opportunity to demean law enforcement broadly by making the accusation of implicit bias every time tragedy occurs.
I always think a good sports movie is emblematic in the same way that a great Greek tragedy really has a certain kind of structure, or a Shakespearean play if you're looking at a comedy or a tragedy, is that these are the heights and depths of human emotion.
Tragedy warms the soul, elevates the heart, can and ought to create heroes. In this sense, perhaps, France owes a part of her great actions to Corneille.
The histories which we have of the great tragedy give no idea of the general wretchedness, the squalid misery, which entered into every individual life in the region given up to the war. Where the armies camped the destruction was absolute.
Before I studied the art, a punch to me was just like a punch, a kick just like a kick. After I learned the art, a punch was no longer a punch, a kick no longer a kick. Now that I've understood the art, a punch is just like a punch, a kick just like a kick. The height of cultivation is really nothing special. It is merely simplicity; the ability to express the utmost with the minimum.
Finally on Sunday morning, October 7, 1849, "He became quiet and seemed to rest for a short time. Then, gently, moving his head," he said, "Lord help my poor soul." As he had lived so he died-in great misery and tragedy.
My hope and my intention was that people would experience the tragedy of what Chernobyl was in every regard: a scientific tragedy, a political tragedy, an emotional and personal tragedy, all of that.
The kick [of comedy] is to think quickly. It's a great kick.
The only moment football really stops is with a penalty kick - and that is a moment that is really dramatic. A penalty kick becomes a Western duel. It's two guys facing each other. Destiny and potential death, whether metaphorical or literal. That's why in the penalty kick at the end of the film, I shot it like an homage to the Sergio Leone Westerns I saw when I was a kid, especially The Good, The Bad And The Ugly.
The three types of misery are the misery of suffering, the misery of change, and pervasive misery.
I have been asked whether I would agree that the tragedy of the scientist is that he is able to bring about great advances in our knowledge, which mankind may then proceed to use for purposes of destruction. My answer is that this is not the tragedy of the scientist; it is the tragedy of mankind.
Sometimes what we call tragedy, at least in the theater, are really case histories. They're based on the central figure, and things happen to that person, and they're called tragedy because they're extremely sad. But tragedy always has a glorious thing happen at the end of it. That's what the catharsis is.
I always wanted to tell the story of how Pearl Jam is the story of lightning striking twice. As well as being the flipside of the classic rock tale where great promise ends in tragedy. This is where tragedy begins great promise.
Tragedy and comedy are simply questions of value; a little misfit in life makes us laugh; a great one is tragedy and cause for expression of grief.
It's all a terrible tragedy. And yet, in it's details, it's great fun. And - apart from the tragedy - I've never felt happier or better in my life than in those days in Belgium.
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