A Quote by D. H. Lawrence
The trains roared by like projectiles level on the darkness, fuming and burning, making the valley clang with their passage. They were gone, and the lights of the towns and villages glittered in silence.
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And when we saw all those cities and villages built in the water, and other great towns on dry land, and that straight and level causeway leading to Mexico, we were astounded.
More hearts are breaking in this world of ours Than one would say. In distant villages And solitudes remote, where winds have wafted The barbed seeds of love, or birds of passage Scattered them in their flight, do they take root, And grow in silence, and in silence perish.
We must continue to invest at the local level to help cities, towns, and villages retain teachers, police, firefighters, and other community-enhancing service providers.
A good folk song tells you something you already know, in a form you're already familiar with, on terms that were set down long before you were born - when the country was primarily windblown dust, open wagon trains, and dysfunctional towns like Deadwood.
Clang Clang Rattle Bing Bang, Gonna make my noise all day!
Television news is like a lightning flash. It makes a loud noise, lights up everything around it, leaves everything else in darkness and then is suddenly gone.
The decision to rely heavily on high-altitude air power, target urban infrastructure and repeatedly attack heavily populated towns and villages has reflected a deliberate trade-off of the lives of American pilots and soldiers, not with those of their declared Taliban enemies, but with Afghan civilians... There will be no official two-minute silence for the Afghan dead, no newspaper obituaries or memorial services attended by the prime minister, as there were for the victims of the twin towers.
Jewish villages were built in the place of Arab villages. You do not even know the names of these Arab villages, and I do not blame you, because these geography books no longer exist.
Most of those old settlers told it like it was, rough and rocky. They named their towns Rimrock, Rough Rock, Round Rock, and Wide Ruins, Skull Valley, Bitter Springs, Wolf Hole, Tombstone. It's a tough country. The names of Arizona towns tell you all you need to know.
New Year's eve is like every other night; there is no pause in the march of the universe, no breathless moment of silence among created things that the passage of another twelve months may be noted; and yet no man has quite the same thoughts this evening that come with the coming of darkness on other nights.
I wonder about silence. Also about darkness. I love the idea that city lights are a "conspiracy" against higher thoughts.
The rhythm of walking generates a kind of rhythm of thinking, and the passage through a landscape echoes or stimulates the passage through a series of thoughts. The creates an odd consonance between
internal and external passage, one that suggests that the mind is also a landscape of sorts and that walking is one way to traverse it. A new thought often seems like a feature of the landscape that was
there all along, as though thinking were traveling rather than making.
We came here to a country that was populated by Arabs and we are building here a Hebrew, a Jewish state; instead of the Arab villages, Jewish villages were established. You even do not know the names of those villages, and I do not blame you because these villages no longer exist. There is not a single Jewish settlement that was not established in the place of a former Arab Village.
Remember, the Arctic didn't have any ice. And the Northwest Passage was wide open. They were raising grapes in Scotland for God sakes, had a huge winery. Iceland was a farming community. As some of the glaciers retreated they found villages that were covered with ice.
A day without a dark cloud. Almost a happy day. There were three thousand six hundred and fifty-three days like that in his stretch. From the first clang of the rail to the last clang of the rail. Three thousand six hundred and fifty-three days. The three extra days were for leap years.
Apart from the first set - which used high-level concert lighting - once you stepped into the two narrative pieces, we were working with lower-level theatrical lights. In most cases, people were really respectful of that.
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