A Quote by D. H. Lawrence
It seems to me a purely lyric poet gives himself, right down to his sex, to his mood, utterly and abandonedly, whirls himself roundtill he spontaneously combusts into verse. He has nothing that goes on, no passion, only a few intense moods, separate like odd stars, and when each has burned away, he must die.
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The poet who writes "free" verse is like Robinson Crusoe on his desert island: he must do all his cooking, laundry and darning for himself. In a few exceptional cases, this manly independence produces something original and impressive, but more often the result is squalor - dirty sheets on the unmade bed and empty bottles on the unswept floor.
But for a few phrases from his letters and an odd line or two of his verse, the poet walks gagged through his own biography.
Only at his maximum does an individual surpass all his derivative elements, and become purely himself. And most people never get there. In his own pure individuality a man surpasses his father and mother, and is utterly unknown to them.
An infinite God can give all of Himself to each of His children. He does not distribute Himself that each may have a part, but to each one He gives all of Himself as fully as if there were no others.
The professional arms himself with patience, not only to give the stars time to align in his career, but to keep himself from flaming out in each individual work.
Each member of the community gives himself to it at the instant of its constitution, just as he actually is, himself and all his forces, including all goods in his possession.
Often nothing keeps the pupil on the move but his faith in his teacher, whose mastery is now beginning to dawn on him .... How far the pupil will go is not the concern of the teacher and master. Hardly has he shown him the right way when he must let him go on alone. There is only one thing more he can do to help him endure his loneliness: he turns him away from himself, from the Master, by exhorting him to go further than he himself has done, and to "climb on the shoulders of his teacher."
He who asks to receive his daily bread does not automatically receive it in its fullness as it is in itself: he receives it according to his own capacity as recipient. The Bread of Life (cf. Jn. 6:35) gives Himself in His love to all who ask, but not in the same way to all; for He gives Himself more fully to those who have performed great acts of righteousness, and in smaller measure to those who have not achieved so much. He gives Himself to each person according to that person's spiritual ability to receive Him.
The poet makes himself a voyant through a long, immense reasoned deranging of all his senses. All the forms of love, of suffering, of madness; he tries to find himself, he exhausts in himself all the poisons, to keep only their quintessences.
He who is himself crossed in love is able from time to time to master his passion, for he is not the creature but the creator of his own misery; and if a lover is unable to control his passion, he at least knows that he is himself to blame for his sufferings. But he who is loved without reciprocating that love is lost beyond redemption, for it is not in his power to set a limit to that other's passion, to keep it within bounds, and the strongest will is reduced to impotence in the face of another's desire.
In order to keep himself at the top of his condition, to obtain complete mastery of all his powers and possibilities, a man must be good to himself mentally; he must think well of himself.
One must not think that a person who is suffering is not praying. He is offering up his sufferings to God, and many a time he is praying much more truly than one who goes away by himself and meditates his head off, and, if he has squeezed out a few tears, thinks that is prayer.
Who gives himself with his alms feeds three, himself, his hungering neighbor and me.
The Master gives himself up to whatever the moment brings. He knows that he is going to die, and her has nothing left to hold on to: no illusions in his mind, no resistances in his body. He doesn't think about his actions; they flow from the core of his being. He holds nothing back from life; therefore he is ready for death, as a man is ready for sleep after a good day's work.
The modern poet has no essential alliance with regular schemes of any sorts.He reserves the right to adapt his rhythm to his mood, to modulate his metre as he progresses. Far from seeking freedom and irresponsibility (implied by the unfortunate term free verse) he seeks a stricter discipline of exact concord of thought and feeling.
Anyone who is not totally dead to himself will soon find that he is tempted and overcome by piddling and frivolous things. Whoever is weak in spirit, given to the flesh and inclined to sensual things can, but only with great difficulty, drag himself away from his earthly desires. Therefore he is often gloomy and sad when he is trying to pull himself away from them, and easily gives way to anger should someone attempt to oppose him.
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