A Quote by D. H. Lawrence

The novel is the highest example of subtle interrelatedness that man has discovered. — © D. H. Lawrence
The novel is the highest example of subtle interrelatedness that man has discovered.
I've never discovered the idea for my next novel while I was still working on the current novel. Other writers don't suffer this.
You can't have a novel without real, believable people, and once you get into either too theoretical a novel or too philosophical a novel, you get into the dangers that the French novel has discovered in the past 50 or 60 years. And you get into a sort of aridity. No, you have to have real, identifiable people to whom the reader reacts in a way as if they were real people.
We misuse language and talk about the 'ascent' of man. We understand the scientific basis for the interrelatedness of life, but our ego hasn't caught up yet.
I discovered ... that a novel has nothing to do with words in the first instance. Writing a novel is a cosmological matter, like the story told by Genesis (we all have to choose our role models, as Woody Allen puts it).
This all-pervading power is the power of divine love. It thinks. It organizes. It plans. It loves. It is the one which is the subtle of the ether, you can call it. It is the subtle of the matter. It is the subtle of your emotions. It is the subtle of your mental power. It is the subtle of your evolutionary power, but all integrated and coordinated in complete synchronization.
It is not woman who claims the highest in man. It is a man's own religious soul that drives him on beyond women, to his supreme activity. For his highest, man is responsible to God alone.
To the pure geometer the radius of curvature is an incidental characteristic - like the grin of the Cheshire cat. To the physicist it is an indispensable characteristic. It would be going too far to say that to the physicist the cat is merely incidental to the grin. Physics is concerned with interrelatedness such as the interrelatedness of cats and grins. In this case the "cat without a grin" and the "grin without a cat" are equally set aside as purely mathematical phantasies.
Once I had started, I discovered the secret pleasure of writing a novel. It's such an immersive, deep commitment. With short stories, you're continually having to start again from scratch, but with a novel you only need one good idea every few years.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
Reading a novel, War and Peace for example, is no Catnap. Because a novel is so long, reading one is like being married forever to somebody nobody knows or cares about.
In terms of fiction, there are a number of writers who are thinking about the future of the environment whose work complements mine. Kim Stanley Robinson's novel 2312 is a great example, as is Tobias Buckell's novel Arctic Rising.
The man form is higher than the angel form; of all forms it is the highest. Man is the highest being in creation, because he aspires to freedom.
Courtesy is a science of the highest importance. It is...opening a door that we may derive instruction from the example of others, and at the same time enabling us to benefit them by our example, if there be anything in our character worthy of imitation.
I have never read a really good novel written by a man where women are portrayed as they truly are. They can be portrayed externally very well - Stendhal's Madame de Renal, for example - but only as seen from the outside.
Man may have discovered fire, but women discovered how to play with it.
As an example of wealth, good taste, and subtle intimidation, it took first prize.
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