A Quote by D. H. Lawrence

I never know when I sit down, just what I am going to write. I make no plan; it just comes, and I don't know where it comes from. — © D. H. Lawrence
I never know when I sit down, just what I am going to write. I make no plan; it just comes, and I don't know where it comes from.
I don't sit down to write a country song. I don't sit down to write a rap song. I just sit down to write a song, you know what I mean? And I try to make that song the best it can be.
When I sit down to write a book, I do not know where the energy and the words come from. I just sit down, and soon it is flowing through my hand and onto the paper.
More and more, I tried to make comics in the way I like to read comics, and I found that when I read comics that are really densely packed with text, it may be rewarding when I finally do sit down and read it, but it never is going to be the first I'm going to read, and I never am fully excited to just sit down and read that comic.
I write 3-4 days a week, 4-5 hours at a time (with lots of breaks). My goal is 2000 words when I sit down to write and usually, I hit that, though it can take anywhere from 3-7 hours to get there. I usually know the basics of where the story is going, but the specifics just sort of come to me as I write.
You just never know what the grand plan is on 'Dexter,' so I didn't know if I was going to make it to the next episode, let alone the next season!
I write a little plan for the day. I write down what time I need to get up to go to the race, just so I'm organised in my mind. That way all I have to focus on during the day is the race, not how I'm going to get there. When you're training it's good to know what you're doing every day. You need to have a plan.
You know, we never really know what we're going to write next. Which is part of the excitement when we go in and do a new album. No battle plan, we just go in and do it and what comes out, comes out.
You never know the plan. You never know what's going to happen. We are not even promised tomorrow. I just try to focus on one day at a time.
Sometimes the songs just come to me. I don't sit down to write like you'd sit down to make a pair of boots.
Many hotels, I just sat there and - I call it the silent scream - I don't know why, you just sit there, and tears will just come down, and you'll just sit there for hours, man. There's no place to turn, and when you do turn, who cares? You're just a dumb professional wrestler.
When I sit down to write, I know everything I need to know... I start writing, and within 30 seconds or 60 seconds, I'm watching a movie. I'm not making this stuff up; the characters are acting it out,and I'm just writing it down.
I just sit down and write. I never know when. The most recent one is 'Sarah Still,' which is about our life, Sarah and me. It's my favorite of all my poems.
My inspiration comes from everywhere, just walking down the street and I never know where it's going to come from, so I keep a notebook with me at all times and the only criteria for anything making it into that notebook is if it stops me in my tracks for even an instant, if it catches my eye or my ear and I just write it down.
Writing is something that you don't know how to do. You sit down and it's something that happens, or it may not happen. So, how can you teach anybody how to write? It's beyond me, because you yourself don't even know if you're going to be able to. I'm always worried, well, you know, every time I go upstairs with my wine bottle. Sometimes I'll sit at that typewriter for fifteen minutes, you know. I don't go up there to write. The typewriter's up there. If it doesn't start moving, I say, well this could be the night that I hit the dust.
My vocation is to write and I have known this for a long time. I hope I won't be misunderstood; I know nothing about the value of the things I am able to write. I know that writing is my vocation. When I sit down to write I feel extraordinarily at ease, and I move in an element which, it seems to me, I know extraordinarily well; I use tools that are familiar to me and they fit snugly in my hands. But when I write stories I am like someone who is in her own country, walking along streets that she has known since she was a child, between walls and trees that are hers.
There's no destination. There's no getting anywhere. There's just the going. The key to life is to make the going really fun. Because people that are like, “If I just get to this, then boom!” And then they get there and there's this dawning of an afterwards. Whereas I'm just always in the going. And it's not a frantic going like, “I gotta keep going or I'm gonna go nuts!” I can not do anything for weeks or months if I need to and just sit and read books or watch movies. I'm just as fine consuming and absorbing new art as I am trying to make it. But it's all in the going.
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