A Quote by D. Imman

I like to see myself as a composer first and only then as a singer. — © D. Imman
I like to see myself as a composer first and only then as a singer.
But the reason I call myself by my childhood name is to remind myself that a scientist must also be absolutely like a child. If he sees a thing, he must say that he sees it, whether it was what he thought he was going to see or not. See first, think later, then test. But always see first. Otherwise you will only see what you were expecting.
When I first see the dailies, I look only at myself, but then you start to see the scene.
When I woke the next morning in my room at White's Motel, I showered and stood naked in front of the mirror, watching myself solemnly brush my teeth. I tried to feel something like excitement but came up only with a morose unease. Every now and then I could see myself-truly see myself-and a sentence would come to me, thundering like a god into my head, and as I saw myself then in front of that tarnished mirror what came was 'the woman with the hole in her heart'. That was me.
The pressure is only from the producers and the labels. No composer, no singer would ever want to sing a remix.
Phrasing is the idea of finding sentences and using punctuation in speech. I often look at the score to see what's written in by the composer to see if I can find clues to those directions, like what direction did the composer have in mind, and I try to incorporate those things as much as possible.
I wanted to be a singer, of course, but there was something about the songwriting, then and now, that is the most important thing. It's how I express myself, how I express how I see things. When I see people struggling with emotions and feelings and don't know how to put it down, I'm able to do that. It's really like a therapy, and it's like a buddy and a friend. It's a way out of a lot of things.
I see myself as like the lead singer of a band or something.
For my money, Tony Bennett is the best singer in the business. He excites me when I watch him. He moves me. He's the singer who gets across what the composer has in mind, and probably a little more.
I've always wanted to be a voice actor. Well I think at first I wanted to be a singer. Then in middle school I auditioned for a musical and I only really cared because I wanted to sing in it. I had to act as well as part of the audition and that was the first time I ever really acted, and I was like 'Oh hey, this is fun, I like doing this.'
See first, think later, then test. But always see first. Otherwise you will only see what you were expecting. Most scientists forget that.
See first, think later, then test. But always see first. Otherwise, you will only see what you were expecting. Most scientists forget that.
Originally, I wanted to be a composer. I always tell people, 'I think of myself as a composer.
Originally, I wanted to be a composer. I always tell people, 'I think of myself as a composer.'
When you hear composer, you think, like, Beethoven: guy in a powdered wig, at a piano, furiously scribbling on manuscript paper. That's not the only image that a composer should bring up, you know. But that's kind of what we've said it is.
First the body has to become utterly relaxed, like a small child, then only start with the mind. Move scientifically: first the simplest, then the complex, then the more complex. And then only can you relax at the ultimate core.
I never jump on to a song and say 'I will only sing it.' I am not too obsessed as a singer. I am happy being a composer.
This site uses cookies to ensure you get the best experience. More info...
Got it!