A Quote by D. Imman

I want my songs to be enjoyed by those who travel in a town bus and they should be played repeatedly in a tea shop. — © D. Imman
I want my songs to be enjoyed by those who travel in a town bus and they should be played repeatedly in a tea shop.
Know how to travel from your town to a nearby town without a car, either by bus or by rail.
And I thought about how many people have loved those songs. And how many people got through a lot of bad times because of those songs. And how many people enjoyed good times with those songs. And how much those songs really mean. I think it would be great to have written one of those songs. I bet if I wrote one of them, I would be very proud. I hope the people who wrote those songs are happy. I hope they feel it's enough. I really do because they've made me happy. And I'm only one person.
I fear that I can no longer travel without technology. Twenty years ago, I loved getting on a bus in West Africa and taking off for a city I'd never been to before, relying on advice from out-of-date travel books and fellow passengers on the bus. Now, I end up using TripAdvisor, Yelp, and Google Maps. I probably eat and sleep better when I'm on the road, but I miss the mystery of travel when it was more random and unpredictable.
I am a tea connoisseur and my idea of absolute heaven is a tea shop.
Opportunities for kindness are flowing past us continuously, during the hours we spend at home, in the office or store or shop or laboratory where we work, as we walk along the street, as we drive hither and yon, as we travel by train or plane or bus - in short, wherever we are and whatever we are doing.
As the bus slowed down at the crowded bus stop, the Pakistani bus conductor leaned from the platform and called out, "Six only!" The bus stopped. He counted on six passengers, rang the bell, and then, as the bus moved off, called to those left behind: "So sorry, plenty of room in my heart - but the bus is full." He left behind a row of smiling faces. It's not what you do, it's the way that you do it.
Ultimately, what I want is for my songs to outlive me: I want my songs to keep being played even after I'm gone.
People want the freedom. They want to be able to shop. If you don't like the shop trading hours and you're a shop owner, you don't have to open.
I travel to the Middle East, I travel to China, I travel to Europe. It's all very rewarding - the only problem is the travel is getting more and more difficult for me now. Ten years ago I would have enjoyed it a lot more.
When I was in college, I spent a summer working in London. I'd enjoyed tea before that, but then I got actual, really good tea there and never looked back.
When I travel in Tamil Nadu for shooting, I make it a point to eat at roadside eateries and drink tea/coffee at a tea stall.
If you want to know the reality of life, then you should travel. At first travel your country, after that start travelling the world. Travel to know your surroundings so that we can say that you are an aware person. Nature, people and culture are calling you, so travel.
Melissa Biggs Bradley spent a decade as Travel Editor of 'Town & Country,' and later served as the founding editor of 'Town & Country Travel.' She then launched Indagare Souk, an online marketplace of global treasures.
I think my legacy is important because my songs - perhaps more than those of any other songwriter I know - cover every movement from 1965 on, socially and artistically. If you want songs about ecology, I've got ecology songs; if you want songs about spirituality, I've got spiritual songs.
Go to the tea shop anywhere along the Ganga, sir, and look at the men working in that tea shop - men, I say, but better to call them human spiders that go crawling in between and under the tables with rags in their hands, crushed humans in crushed uniforms, sluggish, unshaven, in their thirties or forties or fifties but still "boys." But that is your fate if you do your job well - with honesty, dedication, and sincerity, the way Gandhi would have done it, no doubt.
When all my friends were into punk, I'd be singing versions of soul ballads. I thought, 'Oh my God, I don't want them to know I'm doing this.' But I really enjoyed singing those songs.
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