A Quote by D. J. MacHale
There will be no more protests. No more dissension. No more violence. There will be only one voice. The voice of Ravinia. The voice of Halla. Your voice." "There goes freedom of speech," I said.
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There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
More and more, I realise I have a distinct voice, which I didn't realise! You know, it's just my voice. I had no idea. A lot of times, people will say now, 'I recognised you from your voice,' which is interesting to me.
I ask for a stonger and more devoted voice... a voice for good, a voice for the gospel, a voice for God.
I will have my voice: Indian, Spanish, white. I will have my serpent's tongue - my woman's voice, my sexual voice, my poet's voice. I will overcome the tradition of silence.
We cannot have peace on Earth until we learn to speak with one voice. That voice must be the voice of reason, the voice of compassion, the voice of love. It is the voice of divinity within us.
The voice is certainly important and you can hear if it's beautiful or not, it's the gods who decide; it's more a question of what you do with the voice, which is the mysterious element. It's the personality behind the voice which makes the artist. The voice is a gift of God, but if you're not able to use this gift, what's left? Nothing but a beautiful voice, without nuance or color.
We're always being told 'find your voice.' When I was younger, I never really knew what this meant. I used to worry a lot about voice, wondering if I had my own. But now I realize that the only way to find your voice is to use it. It's hardwired, built into you. Talk about the things you love. Your voice will follow.
SpongeBob's voice is really pingy and forward and nasally. The problem is, if you live in the extreme of that for more than 10 minutes, it can be a little grating, and it can be hard on your voice. Also, it gets in the way of the acting to be forcing your voice into this place.
Hormone replacement therapy does not change or affect your voice. And I have no problem with my voice: I really like my singing voice, I don't feel any dysphoria with my talking voice.
The lyrics are usually the last take. So after like five times, saying it over and over again, your voice starts to relax and you get into the groove of the record. Personally I don't raise my voice; my voice is usually lower, more casual.
I had to get the voice back, the precise pitch of Sid's voice and I'd forgotten that I'd pitched him higher than my regular voice, so that was a little difficult to begin with. It was especially hard because we started recording in the morning so I had to warm up a lot and my usual voice is a little more gravelly.
I feel much more physically connected to my voice, and I like the physicality of the voice, and how the voice can physically occupy a song.
Garbage. It's a natural quality of huskiness in the midrange of my voice that I call 'garbage.' It's not a clear-toned announcer's voice. It's more like the voice of the guy next door.
Mark Twain is a voice of truth and a voice of equality and a voice of tolerance. Which means he is a voice of love.
I love voice over work. To me, voice over and animation is such an art, because you focus solely on your voice. You do not focus on how to speak, combined with facial expressions, movement, etc. You as the actor need to convey all those things with only your voice.
My commodity as a writer, whatever I'm writing about, is me. And your commodity is you. Don't alter your voice to fit the subject. Develop one voice that readers will recognize when they hear it on the page, a voice that's enjoyable not only in its musical line but in its avoidance of sounds that would cheapen its tone: breeziness and condescension and clichés.
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