A Quote by D. J. MacHale

To write, you need to find what you love. — © D. J. MacHale
To write, you need to find what you love.
I write because I have an innate need to. I write because I can't do normal work. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it.
I can write anywhere. I write in airports. I write on airplanes. I've written in the back seats of taxis. I write in hotel rooms. I love hotel rooms. I just write wherever I am whenever I need to write.
If you love something - and there are things that I love - you do want more and more and more of it, but that's not the way to produce good work. So as an author, I need to write what I need to write.
You need to be different and stand out. You need to have a message. For me, it didn't come easily. The best advice I was ever given, though, is go away and write 100 songs. You need to find the music that's you.
I don't think lyrics need to be deep - just write whatever comes out of you. You don't need to find intense meaning in everything.
I honestly just love being in my studio working on music. That's all the inspiration I need. And I don't write with an end result in mind, I just write for the simple love of writing.
I don't write down my experiences, but I have a very decent memory. I have tons of books in which I write down phrases as they occur to me. That's how I write songs. I'll need a line and I'll go through the books and find it, the right rhyme and everything.
Love. Fall in love and stay in love. Write only what you love, and love what you write. The key word is love. You have to get up in the morning and write something you love, something to live for.
I need to write about love. I need to think and think and write about love-otherwise, my soul won’t survive.
I don't need to write comics for a living. I have movies and TV for that. I write comics for one reason and one reason only: I love comics. I love the form, the structure, the storytelling process, I love everything about it.
Ah men, why do you want all this attention? I can write poems for myself, make love to a doorknob if absolutely necessary. What do you have to offer me I can't find otherwise except humiliation? Which I no longer need.
To love someone properly probably means that you won’t be very popular. Pure love, loving the way it was intended, is unfortunately a foreign concept to many. Love is messy. Love will involve hardship, demand patience, require forgiveness, test maturity, strain friendship, challenge priorities, refine character, ignite the heart and unleash the soul. Love is not something you sing about, it’s the reason you sing. Love is not something you write about, it’s the reason you write. Love is not something you live to find, it’s the reason that you are alive.
When I just write something, it's usually because I love it, I love the material, but I feel like I really need a creative partner to crack it. And I certainly need and have a lot of creative partners as a director.
I tell aspiring writers that you have to find what you must write. When you find it, you will know, because the subject matter won’t let you go. It’s not enough to write simply because you think it would be neat to be published. You have to be compelled to write. If you’re not, nothing else that you do matters.
When you need to be loved, you take love wherever you can find it. When you are desperate to be loved, feel love, know love, you seek out what you think love should look like. When you find love, or what you think love is, you will lie, kill, and steal to keep it. But learning about real love comes from within. It cannot be given. It cannot be taken away. It grows from your ability to re-create within yourself, the essence of loving experiences you have had in your life.
I don't really write for adults or kids - I don't write for kids, I write about them. I think you need to do that; otherwise, you end up preaching down. You need to listen not so much to the audience but to the story itself.
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