A Quote by D. L. Hughley

I don't need somebody behind a desk to tell me what a marketing survey says is funny. I got 3 million miles and 70,000 tickets sold, telling me that I know how to make people laugh.
I don't know if you know you're funny, but you enjoy being funny. I know I'm funny because people tell me I am, but when I watch myself, it doesn't make me laugh. Does that make sense? Because I know the jokes, and to me, I feel like I'm pulling the wool over people's eyes. And there are probably people who do not enjoy what I do.
You can tell by looking at me that I've got more miles behind me than I've got in front of me. When you reach that point, if you've got some good years left, you want to make sure that you use them wisely
You can tell by looking at me that I've got more miles behind me than I've got in front of me. When you reach that point, if you've got some good years left, you want to make sure that you use them wisely.
It's funny: most people who recognize me on the subway and stuff - it's much more they think of me as a funny guy. I get much more of people telling me how much I make them laugh, actually. Which is nice.
For me, as I suspect for most people, there comes a point where you have enough. If you've got £20 million, why keep going until you've got £100 million or £1,000 million? Does anyone need another vast yacht or private jet or a house full of gold?
Billy Crystal knows how to make people laugh. He's got 30 years on stage... there's no telling him what's funny.
I feel things can always be funny, but that's probably because I have some kind of leftover childhood need to make people laugh. For somebody like me, that's the thing you excel at.
Someone trying to be funny probably isn't as funny as someone who doesn't want to be funny but is and can't help it. Someone being serious or angry might be funny. If you get angry, the first thing I want to do is laugh because I don't know why you're getting that angry. Pathos makes me laugh, funerals make me laugh.
The moment in which you make somebody laugh, you're only doing it to make them laugh and be happy. Then afterward you can be like, 'Oh, I just want the attention. I feel so good that everybody's listening to me and I got the approval that I need.'
I always wondered, like, you know how you go to the family barbecue, and your uncle is that funny guy that you laugh at because he's family? That's how I felt with 'Fighter and the Kid.' People would laugh at my stuff, but it was always tough for me to tell. I just needed to see if there was something going on.
Interviewing somebody is a lot different than being handed a stick in a 20,000-seat arena and trying to sell tickets. You're very green when you start. I'm still learning things to this day. I'm decent at interviews now, but man, getting people to buy tickets is the easiest thing in the world for me.
I'm not offended. Lenny Bruce taught me that everything's funny. You can make everything funny. I don't think that assassinations are funny, I don't think you can make fun of ISIS, but almost everything is funny. And If we can't laugh at ourselves, who can we laugh at? So I don't mind ethnic humor. I like ethnic humor. I like dialect jokes. Laughter is a very subjective thing. If it's funny to you it's funny. And a lot of things are funny to me.
He gives me a kiss that barely touches my lips – it means nothing or everything. After he’s gone, I think, Happy birthday to me. Jack says, ‘That was the guy?’ ‘That was him.’ Jake shakes his head. ‘What?’ ‘He’s not for you,’ he says. I say, ‘How do you know?’ but what I mean is, How do you know? ‘He’s like Ashley Wilkes,’ he says. ‘Any one of these guys is Rhett-ier than he is.’ Again, I ask my benignly inflected, ‘How do you know?’ ‘How do I know?’ he says, tackling me into a bear hug. ‘How do I know? I know, that’s how I know.
I love funny people, and when I'm with funny people, or people who are amusing in their weirdness, I love it. Because that to me is funny, as opposed to someone who stops and says, 'Hey let me tell you a joke.'
My first car was, as depicted in 'Sleepwalk with Me,' my mother's '92 Volvo station wagon that had 80,000 miles on it, and I had put 40,000 miles on it, so by the time it retired it had 120,000, and I basically killed it. It served me well, and my mechanic was always very angry with me because I just didn't properly care for it.
Well, I - all cases to me have interest. Every case is important to somebody, the people litigating that case. But the most difficult case for me is the case where one person says a, the other person says b, and you just don't know for certain who is not telling you the truth.
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