A Quote by D. T. Max

Any good biography has to got to lead you to the work. Many biographers have started out in love with their subjects and ended up hating them. — © D. T. Max
Any good biography has to got to lead you to the work. Many biographers have started out in love with their subjects and ended up hating them.
I'd really started hating music. I'd started hating all the songs, hating being in the industry, hating doing the shows. So I had to learn to love music again if I wanted to continue doing this.
All biographers, no matter how sympathetic, end up using their subjects as mirrors to figure themselves out. I don't want to be anyone's mirror.
So I realized when I was successful in a piece, it was because I didn't abandon a notion early on what it ought to be, and I let it take me along. So I've had songs that started out as being about the environment and ended up being love songs and love songs that ended up being about the environment. I've had things that I thought would be a poem and realized that it was just too big for that. I've got to do something larger and it became a play. I wrote one poem that started a whole play.
Many a person who started out to conquer the world in shining army has ended up just getting along. The horse got tired, the army rusty. The goal was removed and unsure.
An awful lot of successful technology companies ended up being in a slightly different market than they started out in. Microsoft started with programming tools, but came out with an operating system. Oracle started doing contracts for the CIA. AOL started out as an online video gaming network.
I'm a bit multifaceted in the sense that I've got many more than one musical taste. If you think about it, I started out playing in a punk band and ended up doing electro-pop. That was more an accident than a plan.
I started out being a stand up and writing my own material. That took me to Talk Soup, where I was writing and performing for TV. So everything is all the same job in my eyes, and I don't want to ever give up any part of it. I will say that stand-up is my first love; it's how I got started and is in my bones.
When I first started out on the soap, I was more theatrical, like a stage actor, a little bigger than life. As I did more and more Love Of Life, I became more natural. I learned the value of underplaying. It was a great training ground for me. There was a big difference in my style of acting from where I started with that show and where I ended, and where I ended was a good jumping-off point for doing nighttime television and movies.
There was never a good biography of a good novelist. There couldn't be. He is too many people if he's any good.
My parents were great at making sure I got out of bed when I needed to play football on a Sunday morning and that I was ready after school to go to training on a Tuesday and Thursday. But it was never forced upon me or rammed down my throat. If it had been, I could have ended up hating sport.
I started out to be a person on the street, just like everybody else. I didn't start out to be a singer. But I got sort of swept up in this singing thing, and after I got involved in it it got really important to me if I was good or not.
I'd take out a joint and light it. First, just faking it. Then I started lighting live joints, passing them around to the band, you know. I was great, it relieved all my tensions. And I ended up with the greatest supply of grass ever. Other acts up and down the Strip heard about what I was doing - Little Anthony and the Imperials, people like that - and started sending me the best dope in the world. I never ran out.
My subjects were maths and physics. I truly appreciate the value in sciences, but understand the difficulty finding and retaining teachers for these subjects, especially when most of my Imperial cohort ended up as management consultants or in finance.
I am accused. I dream of massacres. I am a garden of black and red agonies. I drink them, Hating myself, hating and fearing. And now the world conceives Its end and runs toward it, arms held out in love.
It ended up being a very good thing, because they finally started writing for the character, and I realized that you have to go to work with a purpose. I learned from the experience and then moved on.
The 'Family Ties' role was the first of many gay roles that I've ended up playing. I remember that I made them laugh, and it made me feel good, 'cause it really cracked them up.
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