A Quote by D.A. Wallach

I'm not a super prolific creator, I don't make stuff everyday, and I don't have a soundtrack constantly playing in my head. I think I had years and years of pent-up aesthetic ideas that I wanted to express.
I didn't sing for years and years, but I started playing harp when I was maybe 9 or 10. I had actually wanted to play for years leading up to that, but no teacher in our little town would take me on as a student, because I was too young.
In the years that I've seen concerts, when I've paid to see somebody I want to see, there would be a certain amount of songs I'd want to hear. So whether it's stuff I want to play every night or not - or stuff I've been playing for years or stuff you get tired of playing - you have to play what people pay for and make it fair for them.
I was a 52-year-old coach. But people don't realize I had 25 years as a head coach. Most coaches my age only had a few years as head coach. I had six years at Miami of Ohio, eight years at Northwestern, 11 at Notre Dame.
There was a show in Germany called Beat Club, and they had a lot of bands playing live. And I had this master plan, at 11 years old, I wanted to play electric guitar, but I knew... We lived in a small apartment, there was no way that was going to happen. I told my parents I wanted a classical guitar and I wanted to start studying classical guitar. So then a few years later, I think around 16 or so, I started playing electric. But that was my, my plan as an 11 year old. I thought I was so crafty.
In the years that Ive seen concerts, when Ive paid to see somebody I want to see, there would be a certain amount of songs Id want to hear. So whether its stuff I want to play every night or not - or stuff Ive been playing for years or stuff you get tired of playing - you have to play what people pay for and make it fair for them.
Ever since I became better acquainted with classical music, I've wanted to try my hand at longer forms, but I could never really see my way to it. And after I got divorced, all of a sudden I had a lot of pent-up energy and lots of stuff that had gone into trying to make this failing relationship work that kind of got reapplied.
For those two years in college I was constantly singing and writing and playing in coffee houses and stuff.
I came here from Romania when I was 12 years old. I had an accent. High school was tough a little bit for a few years. I wanted to fit in. I wanted to be liked. I wanted to be good-looking. I wanted to be popular. I spent a lot of time thinking, 'What are these people going to think of me?'
I'd always wanted to make a record with Jim Dickinson, and I'd known about his boys for years, ... He reminded me that when they were 13 or 14 years old they had a punk rock band and I'd called him and wanted to make a record with them then.
Ten years ago I also had a very difficult decision to make when we had (Carlo) Cudicini giving fantastic performances in Chelsea’s goal for many years. I had in my hands a 22-year-old goalkeeper I thought could be in Chelsea’s goals for years and years and years and this situation is quite similar.
I'm 35 but because I've been acting professionally playing women since I was eighteen years old - I never played a teenager - people constantly think I'm like ten years older than I am, which is a little hard on my ego.
I never in a million years thought I would be starring in Hairspray, ever. Because if you think about my past, it's been 30 years of playing a macho leading man, so when I was offered it, I said: "Why? Why me? What have I done to deserve that you think I should do this?" After much convincing, over a year and two months, I was convinced they wanted to make a great movie.
I usually work on a film soundtrack for two years, turning in a song every few months, and that keeps my creative energy high, because I'm constantly rotating projects. The trick is to make sure I don't work too hard and get exhausted.
It's really been important for me for all these years to stay with my aesthetic - the everyday classic piece that you're not going to get sick of.
I detest computers. If you had a device like that 30 years ago that froze up constantly, misbehaved constantly, lost your information and screwed up when you needed it the most, it would have been laughable.
I have music in my head constantly. I have to have a soundtrack in my head.
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